Listening with Patience and Letting Music Do Its Work

I've not put much stock in the theory of art as purely the artist's expression of an inward state.  Art, no matter how personal, remains a public act with communal significance.  Not to belabor the point, but why use a canvas?  Why this paint or that clay?  Why this instrument and this tempo?  There are numerous potential reasons why an artist struggles to get work into public view.  Even the desire to have one's art recognized is something more than just wanting personal validation.  It is better understood as a form of communication, of connecting with others.

Thus, when I claim in the title that music has work to do, it is a work of communication.  Music's communication may operate at many levels.  These ramblings about art and music arise out of spending an evening listening to Branford Marsalis and Joey Calderazzo play saxophone and piano as a jazz duet.  Interviewed about their collaboration, Marsalis argues that the jazz duet is not merely a mini-quartet or a truncated ensemble.  It is itself a distinct kind of performance able to display its own communicative style of close collaboration, sensitivity, and balance.  Marsalis says, "The object is not to play in the same way that you play in other situations.  You have to change the conversation as well as the setting.  Once you know the form, you can just react to each other." 

Their further reflections on their engagement with the music as a duo help the reader, and listener, to understand there is a kind of work going on with musicians that is at least part of what I mean when I say that music is doing work.  It is the musicians, of course, who drive and make the music live.  This is why at a jazz concert, one learns it is appropriate to give applause when one musician in the ensemble completes a "solo" or highlighted portion of a longer musical composition.  People don't do that during a harpsichord concerto at the end of the harpsichord section, but in a jazz performance, when the pianist has carried the lead for some time and then recedes back into the balanced ensemble playing, clapping is appropriate and expected.  Jazz audiences, in a less formal relationship with the performers than in classical performances, immediately recognize and acknowledge the virtuosity and the effort it takes by communicating their appreciation.  At classical concerts, the audience struggles to demonstrate patience when moved by the musicians' art and waits until the end of a lengthy composition.

To take an aside, I did not grow up in a family which schooled me in the appreciation of jazz or classical music.  My introductions to these was slow, through the music education programs of public school and college.  Our music came more from folk traditions, church hymnals, and popular gospel and secular radio.  If my mom used the word "jazzy" to describe music, it was not a compliment.  Beyond that home training, in high school I sang and listened to music of various eras of Western culture, from Medieval, Renaissance, Baroque, Classical, Romantic, Neo-Classical, and Modern eras.  We learned the discipline of remaining silent until an entire piece was finished before offering applause.  In college, my exposure grew through public performances of chamber music, orchestras, string and woodwind quartets, and occasional jazz. But learning about jazz really came later from listening to the public radio station in Dallas during my two years working there. Even now, I have attended few live jazz performances, and when I do I appreciate the chance to go with a friend from whom I can learn, by observing, the skills of listening and appreciating what I see and hear.

The work of music is partly understood as the work of the musicians, but there is in music as in all art a surplus of work that is greater than the particular agents of its production and performance.  Scientific study confirms many anecdotal links between music and the brain, affecting emotion, reasoning, creativity, exercise, memory, and personality.  I won't try to report on all these scientific studies.  A quick internet search will uncover popular and scientific resources about the complex relationship between music and the brain and body.  Play around with the search terms and you may, like me, find yourself reading all kinds of research and commentary rather than this blog post.  Rather than be comprehensive or even particularly scientific, I will comment briefly on a few aspects of the work music does for human flourishing.

Perhaps most obvious to many people is the emotional and formational link one retains to the music one listens to during formative periods and significant moments.  Music marketers have developed business models around stratifying the various niches in which people become attached to musical styles and artists during adolescence and early adulthood.  Music of the 60s, of the 70s, of the 80s, etc., become the organizational structure for attracting a certain type of listener to whom advertisers can target messages to match the demographics.  This business use of music taps into something many of us have known personally--that tunes, rhythms, instruments, and songs of a certain era propel us into memories or emotional states relevant to deeply formative parts of our history. Certain beats and tunes stir the confusion and rebellion of teens frustrated by the struggle between independence and parental authority.  Songs and lyrical hooks may evoke early attempts to understand feelings of attraction, infatuation, and one's bodily awakening as a sexual being.  Longings, hopes, and decisions about life direction may have close ties to a personal "musical score." The work of music clearly includes an interplay with crucial emotional and formational eras and mileposts in one's personal narrative.

The mention of a musical score points to another aspect of music's work.  Music taps deep structures of the brain to arouse emotion: anxiety and fear, sadness, anger, attraction, happiness, excitement and more.  While not all people respond to the same music with the same emotion, there are widely accepted patterns of "happy" and "sad" music, shaped by harmonies, rhythm, tempo, volume, timbre, and other complex aspects of music.  I tend to be skeptical of overgeneralizations about happy and sad music, but scientific study tends to support links between emotional perceptions of music and emotional reactions to other sensory perceptions.  Listening to a "happy" or "sad" musical clip will likely influence a person's perception about facial expressions as more happy or sad. Some theorize an ancient link between music and the sound of active human living as influencing this reaction in the brain.  Even without needing the hard science, the use of sound tracks to shape the mood of a movie is a widely tested and effective sign of the work music does. Many people regularly choose music to play at home or in their headphones at work or out in public with an idea of influencing a mood toward happiness, energy, melancholic remembrance, or meditation.  Music works in our brains and bodies to reinforce or redirect our moods, even without our conscious planning.

Finally, there are many directions of research on the relation of music to strengthening reasoning ability, to helping focus mental activity, and to opening up creativity in thought.  I am particularly interested in the work of music to spark creativity and reflection.  "Brain science," a term of growing popularity, is apparently something different from psychology or physiology or philosophy.  I take it to be a specialization related to each of those fields, using newly available knowledge to offer insights that could be valuable to all of those older disciplines.  Brain science offers explanations rooted in the activity or reduction of activity in various parts of the brain under certain circumstances.  One such explanation says that just the right volume and type of music can create enough disturbance in brain activity that a person's most routine reasoning and memory patterns become interrupted, requiring the brain to work a little harder, to work around interrupted routines, and seek creative solutions to problems.  I don't really know how to evaluate how credible that explanation may be. Yet, it offers one kind of reasonable explanation, rooted in basic brain function and in growing knowledge about  the complex process of memory and reasoning. Regardless of how accurate the theory may be, the actual work of music to stir creativity has wide anecdotal support.

To wrap up my ruminations on letting music do its work, I will go back to my seat in Baldwin Auditorium, listening to the jazz duet.  Not really a novice any longer, but far from a connoisseur, I listened with eagerness to the various ways the two musicians intertwined their roles, sometimes stepping back or forward as accompanist and lead, and other times mingling two lines into one.  I was listening with a friend with much longer experience of attending live jazz performances, so at times my learning included watching her responses to the music to help me understand what might be going on in the room.  In a fancy auditorium at an academic institution, I gathered that the crowd was somewhat stiffer, with less bodily movement of the head, legs, and feet, than one might see in a different venue.  There were times when it seemed I ought to be standing and moving my body, but not on this night.  Different styles and melodies took my thinking in different directions--sometimes into issues of work and intellect, and other times into relationships, social life, and politics.

There is an interesting relationship between the listener's thoughts and feelings about a piece of music and her or his desire to know a "back story" of how a piece came to be written, or when it emerged during the life of the composer.  This is not essential, and in fact may function to limit the creative reverie that music may incite.  Yet, it also can be part of the complexity of how music works. In one case, Joey Calderazzo told a story about a piece before he played it.  He does not always tell it, but the performance fell on an important anniversary relevant to this particular composition in which he was engaging his thoughts and feelings about a dear friend who was struggling with cancer. He mentioned being on tour, performing in many different places, yet looking regularly at the postings about his friend on the CaringBridge website, where people dealing with terminal illness (usually cancer) and their loved ones can provide regular updates about the progress, or regress, of their health as they deal with various treatments, symptoms, improvements, and setbacks.

Some of you readers know that I spent about a year and a half writing on CaringBridge during Everly's illness and after her death.  So the mention of CaringBridge immediately set my thoughts and feelings on a trajectory.  As the duo began to play the piece, named "Hope," I was already on track for a tour of memories.  A few years ago, I may not have been able to listen to the music because of the intensity of grief.  I'm not completely sure how to describe this particular moment which is the primary reason I am writing about the music.  The music went to work.  I was listening and being drawn along by the melody and rhythm. 

At the same time my imagination took me to the M.D. Anderson Cancer Center in Houston.  I saw the waiting rooms in various clinics.  I recalled the hospital rooms where we waited for and through treatments.  I saw the pharmacy, the doctor's examination rooms, the hallways, the pre-op and recovery rooms. And there were so many waiting rooms.  I remembered Everly's moments of impatience during the tedious waiting for CT scans, having to drink barium shakes to get ready.  There were times when she was anxious and needed me in sight.  There were procedures that lasted hours and left me wandering the halls.  Sometimes I even taught my classes through video and audio conferencing in the lobby of the hospital.  Mostly, it was a chain of memories of the two of us doing our work to live a little longer and share time with our kids, our families, and one another.

I did shed some tears, but the interaction between the music and my thoughts and feelings was more complicated than a mere trigger for sadness.  I'm not sure sadness accurately describes the emotions that accompanied the work this music was doing.  It was an opening to creative possibilities.  It was not only a memory of loss, but also a memory of effort, of unified struggle, and of hope for what might still await us. I'm inclined to think that what was going on between me and the music is partly described as creative thinking. It was not merely a catalog of memories, nor a sinking into a blue mood.  It was also a process engendering the love, the hope, and the good that went on between us, and even among us in relation to the medical staff, as we lived that struggle toward what we did not yet know would come to pass. I'm not trying to make this sound like a mystical vision, because it wasn't.  Yet I found myself in that evening in a concert hall in a kind of creative simultaneity with the remembered time in Houston, when the future was not known and the possibilities awaited.  Thus, there was a mixture of grief and hope, tied together in the beauty of having lived alongside Everly during those events, as well as in her presence in memory now amidst all that my life can and may yet be.

I don't want to overdramatize or idealize a song at a concert.  I'm trying to describe through self-report and reflection what I think appears as a possibility in the way music works and can work in many occasions.  I did not take a flight of ecstasy.  It was not one of the highlight events of my life.  Still, it was a moment of power, a glimpse of glory, a flash of soaring that opens the eye to possibilities that may not seem obvious in most of the mundane hours of work and routine. I think that the right kind of listening, with patience, can let music do some amazing work. 

What Are We Imagining We Will Find When We Seek the Will of God?

Any professor knows that when students are doing their job, they press us to articulate things that we have not said clearly before.  If we have not said them clearly, it probably also means we have not understood them clearly.  Moreover, what these classroom discussions will often do is require us to pull together things we have said on various discrete topics in order to discern new insights and construct new frames for reflection.  This week in class, my students and I have been talking about how we discern the will of God for our lives.

I have thought of this past year, the year since Everly's death, as my year of discernment.  Although I am fifty-six years old with grown children, I have had to reboot my future.  I've written about this before.  Having lost access to the future with Everly that I was expecting, all the roads ahead seemed strange and uncharted.  I'm struggling for the right word here.  My dean talks about "renorming" of his life, having lost the "normal" he knew when his wife passed away.  That get's at a big part of it.

It's not exactly like going back to the beginning, not a Da Capo al Fine.  I don't have to repeat all the misdirections, achievements, and learning of youth.  In that way it's more like continuing with a great absence and all the confusion and uncertainty that brings (which, realistically, is actually a different set of confusions and uncertainties than the ones that Everly and I shared).  It's continuing, but things don't feel the same, don't taste the same, don't smell the same.  It's like walking on a path on a hillside, with everything tilted, with challenges for the footholds.

My having recently moved to a different house, one that has been gutted, rebuilt, and remodeled, puts me into a kind of spacial, structural model for what is happening.  It is a kind of rebuilding after a storm.  Parts of the structure are missing.  As things get into place, I have to figure out how to reorganize.  What used to take my time does not any more, but new things beg for my attention that I could previously ignore.  I'm not doing a very good job of maintaining a single metaphor here, so I guess I'm back to my earlier point of struggling for the right word.

So in the year of discernment, I was asking a question that in common church-speak could be called "seeking the will of God."  Now that things have changed, what should I be doing?  Now that I'm not Everly's cheerleading director, where should my energy go?  I talked with people I see often.  I mulled things over with family.  I made efforts to visit with people I see less often.  I pulled everyone who gave me some time into my conversation about what kind of life I should have.

Part of it, the part that swam in a deep pool of grief, was about recovering.  I'm not saying grief is something you get over.   I'm saying that making a life required time and reflection and learning and growth that acknowledges that for me everything is changed.  It means trying to remember those strengths that made Everly my chief admirer, an honest and plainspoken admirer, but an admirer no less.  It means trying to resurface from the deep pool breathing big gulps of a life that I have always believed God is offering to me as a gift.  It means believing again in the reasons I have been driven to be somebody and make a difference in my world.

As it has turned out so far, I continue to teach in the same esteemed seminary where I have taught for two decades.  It made sense to relocate back to that vicinity.  I had to grapple with my learning about John Perkins and his teaching about "relocation" to live among people with whom one ministers.  Puzzling about where that relocation should be, I looked at several different neighborhoods where I have relationships with church people who care about their communities.  I had to overlay those neighborhoods with the available housing, to find a place I could live and be healthy, provide space for my scattered family, and, of course, that I could afford.  Affordability and livability do not always align.  So I have ended up living near the church where I have served as a minister for the past seventeen years, Mt. Level Missionary Baptist Church.

What will come of all this discernment and seeking?  That is something to wait and see.  Saturday I led devotional for people who had come to Mt. Level for Community Day.  We had health personnel for blood pressure checks, information about chronic conditions, community programs for children's safety, and even flu shots available.  There was a cookout fired up in the parking lot.  People who needed it got food to take home and help make ends meet.  Throughout the day, our ministers led short devotional services for the people who were there.

I talked about the times we are motivated to seek out God's guidance as seasons in our lives change.  From the seasons of the year, to seasons of school and work, to seasonal change from major life events, people may be motivated to inquire after God concerning their futures.   In those short comments, I tried out a couple of analogies.  First, we sometimes go asking for the wrong kind of guidance.  We are looking for the GPS god.  We want an exact destination, every road and turn preselected, a voice telling us what's about to come next, and no more having to think about it.  Anyone who got bad directions from a GPS device knows that's not even a good way to think about using one of those things.  But I am convinced that it also misunderstands the way that a life unfolds in relation to God.

Maybe that imagined map of God's will holds on from an age when Christians more widely believed in theological determinism and predestination.  In popular Christian talk and thinking, it remains a commonly expressed idea that God's control of the world means that every step our our lives is planned and coming to fruition moment by moment.  Most would not spin from their comments about specific events a full-blown theory of predestination, but would instead offer assertions in defense of human free will or even radical freedom and autonomy.  So in that way, it does seem more like a holdover, a convention in religious speech passed on through generations, even as worldviews and theological constructions have changed in ways that would contradict it.  The continuing presence of this kind of thinking is a partial explanation of why people would go to God looking for a GPS answer.

Before mentioning the alternative that I offered in the Saturday devotional, let me interrupt with the conversations I had with my students over the past week.  A big part of the Introduction to Theology course at Shaw Divinity School pertains to theological hermeneutics.  Along with the hermeneutical study that students get in Bible classes and in preaching classes, we spend some time on theological aspects of hermeneutics to help students understand that there are critical theological judgments and ecclesiological practices that shape faithful reading of the scriptures.  As I conclude this part of the course, I spend a large part of a class meeting in theological autobiography.  I tell the story of my upbringing as a white Southern Baptist, a Texan, a minister-in-training, a theologian, a church leader, a white person learning to make black friends, and a member of a black Baptist church.

Having told this story, with illustrations about Bible interpretation at relevant points, and especially to discuss my journey into reading the Bible with people whose lives have not been the same as mine and whose faith sensibilities have been shaped in a very different social and cultural context, students had more questions.  Learning to read the Bible in a black church and teaching black ministers has burst open dividing walls, pushed away opaque glass to allow me to see what my isolation in white privilege did not let me see.  I try to tell this story truthfully without letting it be a form of heroic tale of the honorable white man bearing his burden.  Telling it over and over, with the conversations that ensue, keeps helping me to understand my own pilgrimage better.

This time, a student asked me how I understood what had happened to me in relation to the will of God.  Since the most recent chapter of my life includes the death of my wife, that was the first thing that came to my mind.  I explained that I do not believe it is God's will that people die of cancer, and that there was much more good that Everly could have done in this world had she not been taken from us by this disease.  Thus, I don't think it is God's will that she and I had only thirty-three years of marriage, or that my children will progress through their adult lives without having their mother to encourage and direct them.  Some people may feel the need to believe that "it was her time."  I would say this time or another could have been her time.  Such things are not set in stone nor predetermined.  But whatever time her death came, whether she lived or died, she lived or died unto the Lord.

Everly's dying was a great loss to our family and to many other people in this world.  But I also told my students that I don't think that her untimely death means an end to all good possibilities for us.  It's not a failure of God's love and providence, but a tragic circumstance in which God's love and providence remain and surround our lives.  By implication, I am saying that I don't imagine a divine being flipping switches, waving a scepter, or pushing buttons to make every event around me happen.  God is active and present, but not necessarily in those kinds of ways.

The great challenge for me, mentioned above, has been rethinking what kind of life God has for me even though for almost four decades it was and would be a life lived with Everly.  The year of discernment was partly a year of looking at who I have been with and without Everly.  It was remembering what has mattered to me about living with her and wondering what that looks like if she is not by my side.  I wondered if, after this devastating loss, I would be able to invigorate, even resuscitate, some of my passion for making a difference in the world.  As our pastor, Dr. William C. Turner, Jr, said in her eulogy, she has finished her part of the race and has handed me the baton to keep on running.  In her view of me and my own self-understanding, God has not cast me aside and is not finished with me yet.

So as the will of God unfolds for me, I don't think of it as a single road to a single destination.  That brings me to Christian Ethics class a few days before that hermeneutics discussion.  We examined the Christian understandings of love and marriage and the contrast between those theologically shaped ideas and the popular thinking that permeates our culture.  One of the popular ideas is a fatalism of romantic love.  It is widespread popular thought that there is a single perfect mate for each person.  These two people of shared destiny must find one another and make their fate come into fruition.  It's a highly problematic way of thinking that has little room for grace, for redemption, and for growth.

To "fall" in love implies a complete lack of control.  But that is to conflate a biologically driven instinct toward pairing and mating with a virtue of love.  Attraction and infatuation are not the same as love.  Love is an orientation toward the good of the other, not a giddy feeling in the stomach and a fog in the brain.  Rather than the fatalistic falling in love, a Christian understanding of love and marriage should be about "growing in love."  The contemporary moment in which we live, a blip on the longer history of human flourishing, is all about self-chosen mates based on love as fate based on a self-perceived and self-reported giddiness.

I'm not arguing against people making their own judgments about whom they will marry, but I am arguing for a different kind of discernment process based on a sober evaluation of how deep a friendship is possible with the other person and whether we are pursuing goals that will take us in the same direction, or in Christian language, whether we are sharing a calling we can live out together.  For that reason, as a young man I came to imagine different ways of describing the will of God as comparable to maps of two different states of the U.S.

Having spent a summer in Washington, mainly around Wenatchee and Spokane, I had learned that the prominent geographical feature of the Cascade Mountains makes getting from one side of the state to the other a bigger challenge than I had experienced growing up in Texas.  There are very few roads that cross the Cascades because of the difficulty of traversing such high peaks and their steep slopes.  A few mountain passes allow hikers, skiers, or drivers to safely travel.  In winter, the choices for driving become more limited.  So if I am in Wenatchee and want to get to Seattle, I can either go this way, or that way, and there are not many other options.

The fatalistic view of finding a mate, when imported into Christian thinking, is operating in an imagined world not unlike the road map of the State of Washington.  To break it down, if I am in Wenatchee and if God's will is for me to get to Seattle, then I have to get the exact road right, or I have no hope of fulfilling God's plan for my life.  If I have only one perfect mate out there in the world, and I can't keep myself on the path toward God's perfect will, I will forever miss God's plan for my marriage.  When I put this in such stark terms, I wonder how such thinking would ever pass careful theological muster.  Yet the anxiety of believing in only one path and the risk of missing a turn because of a mistake, a sinful choice, or ignorance, makes out God to be a kind of heartless dictator of sorts.

Once when I was about to drive from one small town in Texas to another, I got out a road map of Texas.  Because of legislation in the 1940s to support secondary roads in farming and ranching areas, there are thousands of roads that crisscross every county in Texas.  A road map of Texas is a jumble of roads forming triangles and quadrilaterals of varied sizes and turned all directions.  Getting from point A to point B in Texas often has dozens of possible routes.  There are longer and shorter routes.  There are straight, curved, and zigzagged routes.  There are scenic routes and efficient routes.  When I ask a computer map system how to get somewhere in Texas, if it suggests three routes, it usually tells me they will all take about the same amount of time.  Getting around in Texas leaves lots of room for missing a turn or for changing your mind.

It struck me that seeking the will of God was more like this map.  (I confess my birth and upbringing in Texas does make me biased toward believing it could be God's country, but I think that is irrelevant to this analogy.)  If God has a direction for me to go, it is not necessarily dependent on an exact route.  If God has a destination at which I should arrive, there may be many possibilities and ways by which I could get there.  God is not so much trying to harness me onto a single set of ruts on a road that runs through the only mountain pass as God is calling me to be a certain sort of person whose impact in the world is a certain sort of impact.  There are all kinds of flexibility about how that will play out.  I don't have to be in a panic about accidentally missing a road sign or misunderstanding an instruction.  God is making the journey with me, and we will work it out as we go.

A week later, in Christian Ethics class again a student followed up on our conversation about the will of God.  That gave me opportunity to elaborate further on the idea that our calling is first of all to a relation to God and one another.  Jesus called the disciples to "Follow me."  He sent them out to go to every village and town, stay a while, accomplish some things, then go on to another place.  What mattered was the people they met and what they did as they carried out their mission.  The calling of God, following Jesus, and living in the Spirit has its roots in the life of the Trinity and the pouring out of the divine love and goodness in creation.  The divine life of mutual love, submission, and sharing is the pattern sewn into the fabric of creation.  Humanity's destiny is to love one another, seek the good of one another, and share the bounty of creation with one another.

The will of God for all humanity is a life lived in justice, kindness, and humility.  This is what the Prophet Micah proclaimed about the essentials of the divine will.  Do justice.  Love kindness.  Walk humbly with God.  To generalize, the will of God for humanity, for me, for us, is a life of virtue.  Living in the Spirit means loving, being joyful, making peace, being patient, showing kindness, living gently, doing good, remaining faithful, and having self-control.  Following Jesus entails poverty of spirit, meekness, mourning, mercy, peacemaking, purity of heart, hunger for justice, and endurance even in hardship.

So I explained to the students that while they should seek God's guidance on major life events and choices, such as whether to become the pastor of a specific church, those moments which seem so critical have to be seen within the bigger picture of God's calling.  Being at this church or that church will certainly have an impact on the pastor's life, the pastor's family's lives, and the lives of the people in the church.  Yet if a pastor is at church A or church B or church C may not be the most important aspect of knowing the will of God.  Is this pastor living in the beatitude that comes with being a follower of Jesus?  Do this pastor's life and this church's life bear the fruit of the Spirit?  Where there is injustice, are this pastor and church seeking justice?  Where people struggle, do the pastor and the church and bring kindness in word and deed?  Are this pastor and church walking with God and in humility?  The calling is first of all to be a certain kind of people, a peculiar people, a people whose living bears in it the image of Christ.

Finally, I can get to the second part of what I shared at the devotional.  Rather than a GPS version of the will of God, I suggested that it is a Jazz Band God whom we serve.  I will claim no originality for making this claim.  Writers such as Cornel West and Barry Harvey have preceded me in using musical metaphors to help describe the shape and possibilities of human living in this world where God is calling us together.  What I said in this case was that a jazz band does not have every note and beat predetermined.  It is not without any sort of plan or purpose, but it always remains open for improvisation.  It may start in one direction, then regroup and change its direction.  The key is that they listen and make the musical journey together.  Our God made us to walk this journey with one another, and even with God.  Walk humbly.  Walk faithfully.  Jesus said to take my yoke.  Let Jesus share the burden and be a partner in the tasks.  The Spirit will guide us into all truth.

God may have specific destinations and specific stretches of road for any of us along the way.  We can trust that if God has such specific plans for us, God will make them known if we are walking in the Spirit as we ought, if we are living a life of virtue, if we are following our Lord.  But there is no need for constant anxiety about whether in each step we are getting it right.  There is so much from scripture that is clear about what sort of persons God has called us to be.  If we keep that in the forefront of our living together as God's people, we will always be on the path to do the will of God.  For that will is that all creation live in love, doing justice, loving kindness, and walking humbly with God.  What else does the Lord require?

Having been pulled into these conversations by students who themselves are pursuing God's purpose for their lives with great enthusiasm, I was able to lay out in close proximity several decades of my reflections on what it means to pursue God's will in life.  It has been a fruitful time of reflection for me.  I hope some of it can help others make a little sense as well.  At least it may be an opportunity for me to gain insight from you and clarify some matters about which I need to learn more.

Jeremiah 29:11-14 

¹¹For surely I know the plans I have for you, says the Lord, plans for your welfare and not for harm, to give you a future with hope. ¹²Then when you call upon me and come and pray to me, I will hear you. ¹³When you search for me, you will find me; if you seek me with all your heart, ¹⁴I will let you find me, says the Lord.

We walked into the open space of a multipurpose room which was set up as the sanctuary for Sunday worship. As we approached the greeting table, a man in a colorful shirt approached and hugged each of us, saying, "Hi, I'm Roscoe." It was the end of Sunday School time, and the separate classes were wrapping up their discussions and preparing to regather in the sanctuary to discuss the Bible lesson.

Not quite a year ago, Christian Unity Baptist Church had reopened for worship. It had been a large congregation, thriving just north of the French Quarter at Claiborne and Conti Streets. The building had been remodeled from other uses, and it was sturdy. It also had the unusual feature of being elevated on stilts with a parking lot beneath the building. For these reasons, it had weathered Hurricane Katrina better than some other churches, although the damage was significant. With its members scattered throughout the states, its pastor in California, and its building damaged, the church struggled to keep itself together. With the assistance of Churches Supporting Churches, Christian Unity was able to reopen for worship in the summer of 2006.

Rev. Dwight Webster greeted us in his office and introduced us to some of the leadership of the congregation. It was a warm welcome, and we eagerly awaited the opportunity to share in worship. We took a seat near the front, and soon we were joined by the Sunday School classes for a final assembly. The superintendent reviewed the lesson, and some of the young people were asked to reiterate key points from their study. With some encouragement, they bore witness to the love of God revealed in Jesus Christ.

Soon the worship hour began, and there was praise and prayer, singing and dancing. The service was accompanied by an organist, a pianist, a drummer, and a saxophonist. There was some traditional gospel style in the organ playing, but it was not exactly the same as we usually hear in North Carolina. The saxophone was the first clue, but the other instruments also brought a strong jazz influence into the music. Sometimes it was gospel, sometimes gospel-jazz, and other times just plain jazz.

Later in the week, I had opportunity to hear jazz singer Arlee Leonard at St. Anna's Episcopal Church, as part of an evening of ministry to struggling musicians which included a meal and a one-stop ministry center. Her selections included Dorsey's "Precious Lord" and some other tunes that brought the gospel influence to the jazz performance. And the final line of the refrain, "lead me home," took on a special significance for the context of New Orleans evacuees who are holding out the hope to come back home.

Rev. Webster had many organizational matters to discuss with the congregation. He talked about giving and budgets and planning and development. He reminded anyone who was concerned that his travel back and forth to California was being funded in part by Churches Supporting Churches and was not coming out of their pockets. He offered comfort and support to those in need, and he heard reports from deacons, members, ministers, and guests. He recognized members living out of town who had made the trip to New Orleans that weekend. There is much to do in a short time when a congregation is as scattered at Christian Unity's.

One new member, a man recently released from prison, told how he had been on his own and alone when he walked out of the prison gate. He was homeless, and he came to Christian Unity to find some people who would care about him. In a short time, with the support of the church, he had found a job and housing, and he felt like he had a family even though his relatives are scattered around the country. It was a moment of joy for the whole congregation.

An associate minister, Rev. Audrey Johnson, was the preacher for the day. She continues to live in Humble, Texas, with her husband and family. She has recovered from cancer and a stroke, but she is doing well and showing few signs of her previous illness. Her sermon centered around the statement, "It has come to pass, but not to stay." With that theme she addressed the situations confronting everyone in the congregation. Most had seen their homes damaged or destroyed. Many who could not be present were living in other towns and cities. Jobs had been lost. Schools were closed. Some had lost loved ones. Friends had been separated. The church had been dispersed. But even though it had come to pass, it had not come to stay.

The injustices and abuses of power would not win the day. The destruction would not be the final word. The relocation of half the city's residents would not serve the greedy plans of developers who hope they will never come back. New Orleans had suffered great devastation, but it did not come to stay. Rebuilding homes, families, friendships, economic institutions, and churches would be the answer to the devastation. Even if the Road Home becomes a Road to Nowhere, the people of Christian Unity and of New Orleans will rise again. A risen Savior offers the promise that death and destruction are not the end of the story.

She grew tired as the sermon went on, and stopped to drink some water. Then she decided that what had been said was enough. It was an emotional moment for all who listened, for we had been moved with her and by her words. Rev. Webster offered the invitation to those who were present. They listened, they hesitated, and then they came. Eight people came to unite with Christian Unity Baptist Church on that day. Some had recently returned to live in New Orleans and needed to find a church. Others had been in New Orleans for awhile, and they had felt the Holy Spirit's prodding to get back into a church. One woman said she had been "looking" for a church for forty-two years, and she had come to realize that it was time for her to be baptized and become part of a church. Half of the people who came to join brought infants and toddlers with them.

So many people were making new beginnings with God. It was a day of rejoicing and of hope. Stepping out on faith to make a new start works so much better when we do it in the company of others who will love and support us, and who will call on us with love and support. We have to be in this together, and that is the message Christian Unity Baptist Church wants to offer.