Seven Years Between Haircuts

On May 20 I wrote about a hermeneutical flight of imagination.  I had realized that it was 70 months since Everly's death.  I had realized it had been seven years since Everly's first harsh and nearly deadly dose of chemotherapy, when her hair fell out from the poisonous effects.  Those numbers recollect biblical images of fullness, completion, and specifically the number of years associated with the exile of Israel after Jerusalem was destroyed.  I don't need to repeat everything I said there--you can go back to it.  But in summary, I said that I'm not claiming the verses of ancient texts are directly about me; rather, they interact with my life through imaginative comparisons and reflections.

I've continued to think about whether I should see this period of my life as marked by new beginnings.  Is there something I might learn about my own time and place by thinking about the end of Israel's exile?  "I am about to do a new thing; now it springs forth, do you not perceive it?"

One thing that occurred to me back on that day was that maybe the time had come to cut my hair.  Some people know that I started growing it out to its full length when Everly's hair fell out from chemotherapy.  Since 2012, seven years ago, I have had only a few trims when my mom or kids urged me to get the ends cleaned up.  I've not been much of a hair stylist.  I just let it grow as it will, and tried to keep it clean and combed.

I've told that story to many people who might have wondered why the Baptist preacher had such long hair.  I've explained when people inquired about the old man's unusual non-fashionable hair style choice.  I would say, "I started growing it when my wife's hair fell out from chemotherapy.  After she died, I kept it.  So far I haven't thought of a good reason to cut it."  I'm not sure what I thought a good reason would be.  But on that day, I thought maybe a reason with symbolic sense had come to me.

A few days later, I was talking with a friend who told me she had a discipline of "harvesting" her hair.  She grew it out to a full length, then periodically cut it off to send to an organization which used it to provide wigs for cancer patients.  She had done this cycle many times.

I also had sent my hair to a cancer support group once before when I experimented with growing out my hair for few years.  It seemed to be one more reason to add to my hermeneutical reflection about possibly cutting my hair.  I started planning to get a haircut. I even leaked this plan in conversation with a few people.  One person, knowing my mischievous side, suggested that I wait to cut it until I made my out-of-state trip to visit my dad in Texas.  That way, when I returned to North Carolina, I could anticipate getting the "maximum shock value."  I settled on that plan.  Dad was extremely happy to be a partner in getting my long hair cut off, as he was never fond of it.  We took care of it right away after I arrived.

The shock value plan worked.  I've had a great time showing up to my usual activities and encountering people's amazement.  A few have felt the need to tell me I look younger, which is not my goal.  I'm proud of my years achieved.  I'm not surprised that many emphasize that I "look great."  I know that having that long, shaggy mop of hair was in part a way to make myself distasteful to people's expectations, of thumbing my nose at conventionality.  I didn't expect people to like it.  One fellow minister said that if I could get a haircut, it was another sign that "with God all things are possible."  The locally owned pharmacy staff, with whom I've been doing business every month for a decade or more, had to ask my name when I came in to get my refills.  It's been fun to reappear in Durham as a new person.

Aside from the shock value and the fun, getting my hair cut is also for me a symbolic change.  Growing my hair was a sign of solidarity with Everly when her hair fell out, and it continued to be that for the remaining months of her life over the next year.  After she died, keeping the long hair involved shifting from solidarity with her in her living to a symbol of grieving her loss.  From year to year, I did not see a reason to cut it.  Perhaps at some deep level I was wearing my hair like a veil of mourning.  I sometimes entertained that idea, but never formally adopted it as my rationale.  I simply could not bring myself to the point of wanting a change.

In May of this year, as we were approaching what I had come to call my "sad season" between May 24, my wedding anniversary, and July 18, the anniversary of Everly's death, once more the weight of grief pressed upon me.  But under that weight, I found myself in the midst of a complexity of emotional and intellectual ferment.

Intellectually, I had arrived at a moment in my research and writing that had been very slow coming.  About ten years earlier, Willie Jennings and Dan Rhodes had coached me toward developing a book idea based on thematically similar essays I had written.  Dan even helped me create a possible outline and suggested a title I might use.  Yet as he and I talked through the structure of the project, I realized that there were severe gaps that I would have to fill before an outline of the book would make sense to me.

So I started working on those particular tasks.  I wrote and presented papers in the next few years that took important steps toward filling those gaps.  In each case, when I reached the temporary end of an assignment, I realized that I still had more work to do.  My pattern of scholarship over the years would have meant that I would pick up these topics again and complete the research as I prepared to present at an academic conference.  That process was interrupted in 2012 when Everly was diagnosed with cancer.  All of my energy and focus shifted toward supporting her "in sickness or in health."  I stopped writing new essays for a number of years afterward.

Eventually I started to get back on track, but the great breakthrough came about because of the invitation to give lectures at Hong Kong Baptist Theological Seminary last October.  They agreed to my topic for Baptist Heritage Lectures as "Baptist Ecclesiology After Whiteness."  The three lecture topics corresponded to three unfinished gaps in my research and writing.  The gift of a place to stay and focus on writing allowed me to bring all three topics to a satisfying point of development.

Building on that progress, I wrote an essay for a conference in May which further built upon the critical work necessary to write the book I was envisioning.  A month later, on a week-long writing retreat, I put together a full outline of the book, with chapter summaries, a new prologue, and a fleshed out proposal so that colleagues could help me refine it before sending it to a publisher.

Yes, something new is happening in this year of my life.  I am emerging from a season of intense grief toward what my buddy Willie has been pointing me for a couple of years.  He has told me a few times that he is seeing signs that "I'm still living."  In similar tone, Curtis Freeman keeps reminding me that I have important work to do and things to say that he and many more people need to hear. He told me that my presentation in May had him and the entire room "spellbound."  I'll take the complement even if it may be an exaggeration.  And my colleague in organizing, Tim Conder, keeps reminding me that there are things that I need to write that no one else he knows is able to say the way I can say them.  I'm not inclined, at least in my saner moments, to believe with Elijah that I am the only one left to do God's work, but I appreciate Tim's reminder that the distinctive person I am and the life that I have lived entail a message and calling from God that I need to faithfully carry out in my scholarly work.

Part of what is new in my life is also the rising up of joy after a long valley of sorrows.  If any of you followed my blog over the years, you know about the grief I have waded through.  It has not been only grief, but I have sometimes wondered if I would forevermore be known to many of my friends as the sad widowed man.  I wondered for myself whether I would have strength to be more like the visionary and committed servant of God that Everly once chose to share her life with.  Or would I be confined as the broken man who struggles to find the energy to finish out an academic career.  It's an exaggerated contrast, but it isn't lacking in truth.

In May, and June I started writing in this blog about the emotional transformations I was recognizing and working through.  I wrote about friendships, and about taking to heart my responsibility to enrich and expand those relationships with people who care about me.  I wrote about friends who were influencing me, encouraging me, and inspiring me to fulfill what they could see in me, even if I did not always see it for myself.  I'm not going to repeat what I wrote in those posts, but I will reiterate that I'm striving to live not only in the shadow of a great loss, but in the light of a community of friends and the hope of joy in sharing life with them. 

My deepest theological convictions tell me that we are put into this world to play our parts as builders of loving, just community wherever we find ourselves living and working.  We receive the blessing of those who come our way.  We recognize the failures of justice and love and commit ourselves to repair and restore the goodness that ought to be. 

I can't do that if I'm shrunken into myself and pulling away from the liveliness of caring for one another.

A few days ago I was looking through my Facebook account and noticed that it said I am married to Everly.  I guess I never felt the need to change it.  But now it seems as if the symbolic meaning of keeping my hair long aligns with the symbolic meaning of continuing to list myself as married.  My marriage with Everly brought fulfillment, gave us three children, and I believe blessed many other people.  It is okay to acknowledge that our anniversaries ended at 33 years, and the household we built did not continue as long as we had hoped.  I've been saying it for many years--I am widowed.  So I quietly changed it on the worldwide software platform, too.

Recently I was looking at some photographs in a blank greeting card display.  One of the photographs showed a trail through a plush woodland, thick with green undergrowth.  The picture showed the trail bending as it appeared more narrow, extending farther into the distance.  Around the bend, no one can yet see.  I can't be sure what is ahead, but I do believe this is a season of new things.  I've cut my hair after seven years (for now).  I'm opening my daily routines and my heart to build loving friendships here and now.  I'm in the midst of compiling many years of work into a book.  I'm looking ahead to see what might be next.  "From this time forward I will make you hear new things, hidden things that you have not known."  I hope y'all will walk with me.

Defiant Imaginations, Part 1: Thoughts on Malcolm, Ruby, and Louis

Absorbing and responding to the Ava DuVernay film event, When They See Us, will take some time and more than one post here.  As I thought through what I might want to write, I found myself thinking back over some previous learning that seems to be relevant to what I have seen in this film.  So this first post goes back over a series of insights initially spurred by a textbook I used in the Shaw University undergraduate course, Foundations of Knowledge and Ethics.  It was an introduction offered to first-year students on the European and African American traditions of philosophical and religious ethics.  One of the thematic claims of the book has become an important part of my understanding of how persons and communities must respond to systems of injustice, and it continues to stir my moral imagination as years go by.

Robert Franklin's book Liberating Visions examines the lives and words of four important African American leaders who offer powerful moral visions for humanity.  He assigns each one a thematic adjective for the kind of life a person should live:  Booker T. Washington, the adaptive person; W. E. B. DuBois, the strenuous person; Martin Luther King, Jr., the integrative person; and Malcolm X, the defiant person.  Analyzing their views in light of character ethics, Franklin helps the reader see a social vision of the virtuous life, human fulfillment, and the good society through their eyes.  All are powerful social insights worth examining, but Franklin's interpretation of Malcolm X is the one that the music of  When They See Us has brought to the forefront of my thinking.

In theological studies, the term "prophetic imagination" has become a popular term.  Walter Brueggemann writes in The Prophetic Imagination that the tradition of prophetic ministry from Moses to Jeremiah to Jesus engages God's people in dismantling oppression and reconstructing a world built on justice in loving communities.  J. Deotis Roberts plays on the popular Protestant and Baptist theme of the "priesthood of all believers" in his ecclesiological book The Prophethood of Black Believers to emphasize how the black churches have contributed to a richer understanding of the task of the church than mere comfort and religious observance, extending into challenging injustice and working for the common good.  This prophetic calling finds a particular expression in Franklin's use of "defiant" to describe the imagination.  Defiance is a crucial element and a helpful descriptor of certain ways that the prophetic calling may find expression and embodiment.

Over twenty years ago, I was invited to participate in a conference on moral education sponsored by  Shaw's Program in Ethics and Values and Duke's Kenan Institute for Ethics.  I had anticipated following a keynote address by Robert Coles--no small task.  I was doing some research into his work in preparation, and it led me to reflect further on Franklin's interpretation of Malcolm. Eventually I presented my paper under the title "Political Realism and the Defiant Imagination." 

Realism is that school of thought in politics and theology which tends to fall back on the balance of powers mode of reasoning.  Keeping all the existing powers in a condition of balance or detente--not at one another's throats, but also not stirring much change toward better justice--is considered the best one can do in the real world.  Hence, realism offers little beyond incremental change for those who suffer under the crushing weight of oppression.  The very idea that someone might challenge the existing powers is considered both ludicrous and dangerous by the realist.  As Franklin realized, Malcolm ultimately did not let his imagination be captured by political realism.

Malcolm had been a budding, intelligent, and hopeful child, doing well in school until his early adolescent years.  Despite his giftedness, one of the teachers he had respected and trusted most advised him that he should not have ambitions to be a lawyer, to take up a profession of intellect and prestige.  He should be realistic and aim to take up a trade, a solid way to make money that would not require him to transgress into the realms of power and status in which he would not be welcome.

The story of Malcolm's life which follows that period shows his dissolution from the prior ambition to achieve into a life that accommodates itself to the world's worst expectations of him.  The white world, the world of powerful people, would expect Malcolm not to amount to much.  They would look at him and see something dangerous, something damaged, something likely to be trouble, and not someone.  They would not see him.  They would see a phantasm, a stereotype, an inevitability.  To some extent, one can look at his life and conclude that Malcolm walked down a path that fulfilled what the world saw in him.  They remade him in their image of his destiny.

Franklin recognizes, however, that Malcolm does not ultimately remain what society had expected him to be.  After being imprisoned for breaking and entering and larceny, Malcolm's original intellectual curiosity and drive began to resurface, largely because of the nurturing friendship of members of the Nation of Islam.  Malcolm reports that he began to copy the dictionary, line by line, page by page, to improve his reading and facility of the English language.  He began to read extensively in history, philosophy, and political thought.  He was instructed in the teachings of the Nation of Islam and trained in their discipline of a life in submission to Allah.  He saw that to accomplish greater things, he had to set aside impulsiveness and raging emotion.  He learned that the limits that had been placed on his life were artificial and externally imposed.  He learned to defy the expectations of society and aim for something greater and more in tune with his true nature.

Malcolm's defiance drove him to gain the education he had missed before.  He became a powerful speaker and capable leader.  He applied his practical knowledge to become a strategic thinker and incisive analyst of the political scene.  And when he was confronted with the inadequacy of the orthodoxies that he had previously accepted, he pursued with relentless critical effort the truth of historic Islam.  Malcolm represented a defiance courageous enough to challenge the existing power relations, to say what must be said, and to be persistent in the face of powerful forces aligned against him.  His radical critique conceded nothing in his effort to dismantle the dominant cultural systems which oppressed African Americans.

Remembering this account of Malcolm's life and his emergence as a leading intellectual of his time, I found myself drawn to Robert Coles's account of the remarkable young Ruby Bridges as another example of defiant imagination.  At age 6, her parents guided her to be one of the first four children to integrate the New Orleans public school system.  She was the only black student enrolling in her particular elementary school.  The white parents took their children out of the school.  Only one teacher agreed to teach in a school with a black child.  So Ruby's teacher taught the class with only one student. 

Federal Marshalls escorted Ruby to and from school because of the rowdy, violent protests that surrounded the school and the streets leading up to it.  Ruby was not particularly scared by the crowds.  She said they looked and sounded like Mardi Gras parties, with shouting and throwing things.  So she bravely walked in and out of the school each day.  Eventually, some white parents brought their children back to the school and the protests subsided.  Still, Ruby remained alone in her classroom.  In the next school year, the actual integrated classrooms began to come about in New Orleans.

Robert Coles became very involved with Ruby and her family, offering psychological care as much as was needed.  He learned a great deal in the process.  One of the central stories that he tells concerns an observation by her classroom teacher.  As Ruby was approaching the school, the teacher observed the little girl stopping, turning to face the yelling crowd, and saying something to them.  When Ruby got to class, the teacher asked about what she had seen.  Ruby explained that she had not been talking to the people, but to God.  Coles asked later for a fuller explanation.  Ruby told him that every day she stopped, usually before getting to the school, and prayed to God for the people.  That day she had forgotten until she was at the school steps.  Cole was shocked that her feelings toward this hateful crowd were leading to her have concern for them and pray for them.  She went on to explain that the prayer she said every day was to ask God to forgive them because they did not know what they were doing.

Her family and church had already instilled in Ruby a way of living in the world that was shocking to Coles and to many others.  They had joined a long procession of courageous defiers unwilling to let conditions of injustice stand.  They defied the barriers placed against the education she and other black children deserved, putting bodies in action to challenge the social order. 

Moreover, her family and community was already embedded in an alternative moral narrative.  She had understood the loving response of Jesus toward those who had done him wrong, and in defiance of the expectation that she should be afraid or should return hatred for hatred, she was seeking the good of those who wanted to do her harm.  She hoped against hope that her opponents could be changed, and she and her community imagined a better world could come about in which enemies become allies, even friends.  As an adult, Ruby Bridges still affirms that we must go against the grain of the world if we want to see change come for the better.

I became aware of a third example of defiant imagination during the period of Everly's illness.  A friend had given her a recording of "What a Wonderful World," made famous by Louis Armstrong.  Everly's first reaction was irritation.  She has never been a person who wanted to paint a rosy picture when things were not rosy.  No romanticizing and no pretending--she liked to simply say what she saw, what she felt.  So she could see no reason to play "What a Wonderful World" when she felt awful and the prognosis was not promising.  In what world could one call it wonderful to know that a person is dying of cancer at the peak of her life?  I understood her point.

It occurred to me that I had never given that song much thought.  I also wondered why someone might think it an appropriate recording for a friend who was fighting through cancer and chemotherapy.  But I knew that the friend was also not one to sugar-coat life's struggles or try to positive think oneself out of real problems.  I bought a Louis Armstrong album and took some time to listen to him sing the song.  I read a little about its themes and its popularity.  I began to understand that this kind of song represents a particular kind of defiance when sung by people who have been dealt every injustice and disadvantage by those with privilege and power.

There is a stance to take to the world when it treats you as if you are inferior, outcast, and unworthy, that defies those treatments.  It is a way of knowing the good, the true, and the beautiful that disavows the knowledge projected by the powerful.  Refusing to accept the world as it is offered, the defiant imagination of the oppressed recognizes that the good things in the world also belong to them.  They know the truth of the world, that it is not what the lies of the powerful would assert to be true.  They know that the beauty of the world, perhaps always mixed with ugliness, yet remains beauty.  In defiance, Armstrong can sing about the particular sights of natural beauty that he passes, the kindness of heart and soul experienced in community, and the hope of a better life as the struggle for liberation presses from one generation to the next.  Living in a world overshadowed by injustice, he can recognize that world as false, as the great lie.  In contrast, the truth remains that it is a wonderful world.

This is not the same as positive thinking.  It is a way of thumbing the nose at the oppressor.  It is a stone-faced challenge to the world's claim on one's life.  It's the laughter of one who knows that the joke is not on her.  It's not pollyannish blindness, but clear sight which sees both the wrong and the right.  It's not pretending, but a kind of honesty that knows tragedy as well as beauty.

I've been motivated to develop this discussion of the defiant imagination after having watched the powerful miniseries, When They See Us.  The title itself focuses on vision.  Presuppositions about the nature of the world and the people in it operate as filters on what human beings see.  The term "normative gaze" identifies a biased perspective shared by those who hold power in society and culture--their way of seeing things defines reality because it is assumed to be the normative way to see.

Yet the words and actions of those who are not in power can challenge the assumed truth.  Seeing beyond the current busyness, they may glimpse a truth not polluted or distorted by the interests of the oppressor.  Taken as part of a declaration, the film title names the way that white people see black people, one which automatically puts black people in jeopardy.  Taken as part of an interrogatory, the title asks whether the black young men have been truly seen at all.  In this case, the young men are waiting to be seen for who they really are, not for what the fantasies of white culture imagine them to be.  A defiant imagination gives its holder the possibility of challenging and overcoming the normative gaze of the oppressor.

The film project itself is an exercise of defiant imagination.  It challenges the dominant narrative, the way that the young men and their families were "seen" by the newspaper reporters, the police, the prosecutors, and by many of their neighbors.  In the next posting, I will discuss how various songs in the soundtrack of When They See Us help to feed a defiant imagination.

Loneliness and the Mystery of Friendship--Walking with the God of Pentecost

A year ago, I was taking a couple of days for exploring historical sites about the conflicts between the European settlers and the Dakota in Minnesota after an academic conference in St. Paul.  While in St. Paul, I had been with some long-time friends as well as some brand new acquaintances as part of our regional group of Baptist professors who take a weekend a year to hang out with our Catholic colleagues, talk about theology, Bible, history, etc., as well as worship and party together.

As I mentioned in a recent blog post, this time of year brings out more intense emotions for me because of various memories from my life spent with Everly, including the last weeks of her life.  Last year was no different.  I found myself deeply appreciative of the time spent with my old and new colleagues.  We worked on our academic topics together, and we also learned about one another's lives, whether as graduate students or teaching faculty.  A group of us were presenting a panel dealing with various baptist statements on sexuality which had been published in the past couple of years.  In the midst of getting ready for the panel, news kept breaking about Paige Patterson's history of sexist attitudes and sermons, as well as his overt attempts to repress reports of rape and sexual harassment in his role as seminary president.  The main point of mentioning all this is that we were keenly engaged with one another, talking about matters of significance for the church, the academy, and the lives of our students and ourselves.

As I drove up the Minnesota highways, I found myself thinking back on time with various people during the weekend.  I had been deeply moved and surprised by a new friendship that sprung up at the meeting.  I marveled at the thoughtfulness and attention shown to me by people with whom I had not previously grown a history of exchanged kindnesses.  I found myself overwhelmed by the grace of unexpected friendships during our days together.

The other side of that warmth and gratitude as I drove alone was the realization that we had all gone our separate ways, and it would be unlikely that many, if any, of those people and I would spend time together until the next May rolled around.  So there was a weight of sadness as well.  I found myself pressing deeply into my experiences of friendship, my capacity to make friends and sustain friendships.  One of the side effects of being a student through so many degree programs is that I have developed very deep and close friendships while working with fellow students toward a degree, only to fulfill those academic years by having all of us relocate and leave one another behind.  I find that I can hold on to friendships with long breaks between contacts, but that I am not so good at keeping them steadily growing by communicating regularly while living far apart.

This inconsistent communication is a flaw in my practice of friendship.  I am too easily affected by the habits of "out of sight, out of mind."  But I think there is another key factor in how I maintain friendships that has also affected this lack of communication with people who are in remote places.  While I have often had a circle of friends with whom to enjoy talking and hanging out, I am most likely to have one or two very close friends at a time, not five or ten or twenty.  That leaves me most likely to be in a close relationship with friends who are close by, to whom I have face-to-face access, and whose lives are present and connected enough to my own that we are able to maintain a deep awareness of what is happening with each other.

For over thirty-five years, from our late teens until her death, Everly was the primary friend to whom I turned and with whom I shared my life.  Depending on where we lived at the time, there would always be one, or maybe two, other close friends.  I am an introverting type of person who can find a great deal of satisfaction entertaining my own thoughts.  It is part of what helps me be a good researcher, to gain mastery of subjects, write about them, and recall extensively from stores of knowledge to use in teaching.  Hours of focused study, thinking, or writing are not nearly as taxing of my energy and vitality as an hour or so spent in a large social gathering, especially if it involves trying to converse with people whom I have not previously met and who share little in common with my areas of expertise and knowledge.  When mingling in a crowd, telling someone that I am a theologian or an ethicist is a pretty sure-fire conversation ender.  Struggling to find common ground for conversation can quickly wear me out.

By the way, Everly was pretty much the opposite.  She gained energy from social occasions.  She was likely to find her way into being the life of the party.  She maintained many more close friendships than I seem capable of doing.  I admire all these things about her, and marvel at how her way of moving in the world was so different from mine.  I often miss one of her greatest talents.  Everly could "read" the crowd.  Now while I may be able to get a sense of a room full of people's mood or bias, she could also quickly discern the demeanor and body language of most everyone present.  Most of these signals and signs go over my head or bounce off my forehead.  I often miss the tone and tenor of what is going on between people in social gatherings, including how people are reacting to me.

Because I was driving alone, I turned on some music.  I often do some of my important thinking through the poetic insights of songwriters.  On this day, I was listening to Carrie Newcomer and the Indigo Girls, both of whom have helped me think through issues over the years.  I took note of a particular song (with a strange title) by Newcomer that day, "Cedar Rapids 10 AM."  The song's refrain is an invitation to continue in friendship.  The singer is needing some time to think, and has determined to do so by hiking up to a promontory to rest, look at the sky, and mull over what is on her mind.  She wants her friend to come join her.

Will you come with me to the ridge top?
Lay all your burdens bare, right there.

It's an invitation to honesty and struggling to get through to the truth of things.  The lyrics continue to speak of the value of deep conversations between friends.

Take away all the white noise;
It getting hard to hear.
Souls stretched as thin as tissue paper
Edged with cuts and tears....

You've always been a cup of coffee;
You've always been the cream.
You've always believed that I was better
Than I could ever dream....

So much for all the chips we've earned.
So much for all the things we've learned.
So far it is still you and me.

Dealing with the erosion of a life by the daily disrespect, frustration, and longing for something more--all that can wear someone down.  That image of being stretched, with cut and torn places scattered across a tissue-thin surface, is something I can identify with.  It's a picture of wearing away one's substance until it seems little is left, and even that remnant could dissolve so easily, with just a shred of dignity and energy left.  In some moments, even one's length of experience makes little difference for understanding, like round after round of poker, gaining chips whose exchange value  you don't care about, or knowledge that makes no difference in the current situation.  Sometimes, it is only the presence of a faithful friend that can hold one together.

Last May, having seen a a valued time with friends come to an end, and sulking a bit over the state of my own life, I was feeling that, unlike the song's character, I didn't have anyone available to hike up to the ridge top and work through whatever could be on our minds.  I was having a bout of self-pity, and I knew it.  But knowing that didn't make me feel any better about my situation.  For almost five years, I had not had Everly, my "go-to" friend.  And having returned to live in Durham, I kept seeing other close friends move away, making it harder to keep that kind of presence I need when things get hard.

I started to realize that one issue for me was that in having had Everly faithfully available as my friend for such a long part of my life, I had come to take the availability of friendship for granted.  It's not that keeping a marriage friendship functioning well isn't it's own kind of hard work.  But having grown into mostly good habits of relating with one another, I hadn't needed to put out much effort to cultivate other friendships.  With Everly gone, and later some of the other friends no longer nearby, I had come upon a new challenge to make my life work well.  The kind of friendships I needed were not just going to walk up to me day after day.  I was going to have to figure out how to work at being a better friend so that I could have friends.

I realized at that point that there were a number of people in Durham who had already been generous in their friendship toward me.  There were friends whom we had known since arriving in North Carolina in 1986, with whom our family had been through many important events in our lives.  They had not pulled back from their hospitality and availability to me.  I simply had not been taking the opportunity to spend time with them and to make sure I was a friend to them as well.  Another small group of friends who had invited me on several occasions to join them for conversations, dinner, or an outing, had not put up any barriers to my seeing them more often than I have been.  As I stated above, I was becoming aware that there were people ready to be good friends with me if I would put in more effort rather than simply waiting around to see what would happen spontaneously.  And in the year since that time, these good people and I have shared our lives and hearts in what is a pleasant relief from the pattern I had fallen into.  It's what your momma or grandma always told you--don't take good things for granted.  That was one of the insights that was dawning on me last May.

But there was another very important thing I was realizing about friendship on those highways. During my drive across the prairies of Minnesota, I spent some time reflecting on the mystery of becoming friends.  It is commonplace in contemporary popular wisdom to assume that friendship is chosen.  "You can pick your friends."  I'm not saying it's a completely empty aphorism.  When a person has "run with the wrong crowd," there may be the possibility of walking away from that set of friends, but it may not be easy in all cases.  People often try to pick their friends by picking a neighborhood to live in, a school to attend, or a club to join.  These decisions do have some impact, but whether the type of friendship that allows a person to find support, honest communication, and love will come about is not so easy to plan.

There is a mystery to friendship that can't be explained by choosing who will and won't be our friends.  The Indigo Girls song, "Mystery," reflects on this hard to explain part of becoming close to another person.  It puzzles over whether friendship happens by fate or choice.  It asks whether the unplanned and unexpected coming and going of a friendship means that it never was real.  It's likely many readers have wondered about the same kinds of questions.  The person one is sure will become his best friend is just a passing acquaintance.  The person she hardly even noticed grew to be the truest friend.  Two people who might seem to be different, even opposite, in so many ways find themselves becoming friends: "My heart the red sun. / Your heart the moon clouded."

It's common in the popular theology of the kinds of churches that I have always been part of to think of our associations, friendships, and loves to be arranged by God's plan.  I've written about my understanding of the will of God in at least four previous posts, but it seems to me that such a commonly discussed topic deserves attention again and again.  I'm not inclined to think of God as a master chess player, moving all of us pieces around a board to meet some grand plan.  I did not say that I do not believe God has plans for us, which I know to be that we ought to become more like the image of divine love revealed in Jesus Christ, living in community with those who gathered to him and found bounty and healing even without a permanent home and a truckload of possessions. 

God's will for me and for you is beloved community, and we are the agents to share in the plan and the construction of a world that bears marks of God's Reign.  Our efforts are partial, local, frail and temporary, yet they are real products of the goodness, beauty, and love in which God has made us to live.  Nor do I think of God as a scriptwriter and puppeteer.  There is not a single predetermined path for all of history.  God works in history with infinite creativity, capacity to repair and heal, and patience with the failures, shortcomings, and outright evil projects that humans get caught up in.  The calling is persistent and repeated whenever we can hear it, to turn our efforts toward the good of one another, and in loving and just ways to remake the communities in which we live.  God is in the midst of the living and unfolding story.

In either image, whether the chess master or scriptwriter, God is more remote from us than the God revealed in Jesus Christ and coming in the power of Spirit on Pentecost.  In Jesus, the Word became flesh and moved in the neighborhood.  Jesus associated with everyday people, not the boardrooms and ruling halls of the elite.  He couch surfed his way around Galilee and Judea, walked confidently through the "bad neighborhoods" of Samaria, fell in with the rough crowd and got run out of Gadara, and he built a movement of the masses that made him dangerous in the eyes of the rulers.  The Spirit came to the people and gifted them to share good news in the language of all who were present on Pentecost.  There was not a booming voice from the clouds, but the many voices in many languages of people who had learned who God is by following Jesus.

I am inclined to think of God's working out God's will in ways that accord with these manifestations of God's presence.  Rather than moving a chess piece near me to become my friend, or moving me around to make a certain person be my friend, I am inclined to think of God as a caring companion, present with us, not scripting or manipulating us as a puppets.  As we live our lives, people come our way, or we come upon people in our pilgrim journey.  We will not become fast friends with everyone we meet.  But as our companion, our guide, the one who is shaping us to be more what we are made to be, God will be at work to help us discern and appreciate the allies, friends, and beloved companions who can be part of the beauty that God intends our lives to be.  It may sometimes seem like choosing, and other times an unexpected mystery.

Thomas Aquinas echoes the words of Jesus from the gospel of John chapter 15 when he says we can grow to be friends of God (Summa Theologia, Second Part of Second Part, Question 23). With God as a friend, an ever-present companion, our prayer without ceasing opens our hearts and minds to hear the gentle prodding of God. Maybe at times it is not a gentle prodding, but a strong push to move, a wake up call to see what is right in front of us, or opening our ears to hear the cry that requires our response.  In this way, God leads us into opportunities for friendship, by being the one who cares enough to get us going in the right direction, to speak up to greet someone, and to above all to listen to people.

If I think about some of my own experiences (and I'm not going to give a long inventory), there is much that is unexpected and unchosen in the process of our becoming friends.  One very close friend was a graduate school colleague of mine, but everything about our demography other than being theology graduate students worked against our becoming close friends.  However, when we each had a three-year-old daughter taking a Saturday morning dance class, dads with coffee and time on their hands struck up a friendship and found they were able to talk honestly about the most difficult things they were dealing with at work, home, and church.  An unanticipated intersection of daddy responsibilities created the groundwork for a long-lasting friendship. 

In another case, an acquaintance came to offer prayer for me one Sunday during worship, and the conversation that followed led to recognizing a deep commonality in our longing to deepen our loving relationships with our children.  If an observer judged by our different ages and background, one probably would not lay odds on a budding friendship coming from what could have been merely the formalities of performing a religious duty.  If this post were a study of all my friendships, I could easily describe other cases that could be even more unexpected friendships.

Friendship isn't strictly a choice.  It emerges out of contingent occurrences.  It comes as a gift more than as a choice.  Friendships grow as a kind of grace.  That was another lesson I was beginning to learn last May.  I can't predict where friendship may arise and grow.  Half a year earlier had met an academic colleague from another school almost by chance as we were participating in the same conference.  It was a break in the programming, so we sat down and became acquainted, learning a few things of interest about one another.  I enjoyed the conversation, but I didn't expect much to come of it. 

By May, we had met several more times.  I was surprised that someone would make that much effort to get to know me, not being in the same town, the same academic discipline, or having very similar networks or background.  By then it was already clear to me that grace was at work to allow our friendship to blossom.  As I indicated in the first part of this post, I was struggling both with needing  a friend, and with needing to be a better friend.  And here without any plan or effort on my part, a friend had walked into my life.  It's reasonable to say that I was puzzling over the same kinds of questions Emily Saliers was in the lyrics of "Mystery."

Why do you spend this time with me?
May be an equal mystery....

Psychologists and other social scientists, philosophers and theologians--we all can bring some general insights into understanding friendships:  characteristics of good friendships, the likelihood of friendships to last, the needs friendships bring, the goods friendships help to produce, the virtues that support friendship and vices that undermine it, examples of good and bad friendships.  When all is said and done, a great deal comes down to the simple acceptance of who shows up in one's life, the contingent events that get our attention, the opportunities we take to show concern for someone, the willingness to be honest and vulnerable, and the interconnection that grows from having a history with one another that has made us better people. 

I think people can reasonably put in the effort, even choose, to become the kinds of persons ready to be friends with others.  Yet there is a remainder in the narrative of friendship that is housed in mystery. Perhaps you met at that time that your soul was "stretched as thin as tissue paper," with so many cuts and torn places you did not know how you could make it much farther without someone to share the burdens.  It could be that sitting to share a cup of coffee, maybe adding some cream to soften the bitterness, led to that mysterious realization that your friend can see good and power in you that you have not been able to find--"You've always believed that I was better than I could ever dream."

I'll close out this far too verbose post with perhaps the most powerful lines of the Indigo Girls' song that say a great deal to me about entering the grace and gift of friendship when loneliness seems to be the only possibility.

Maybe that's all that we need--
Is to meet in the middle of impossibility.
We're standing at opposite poles,
Equal partners in a mystery.

The Language of Grief and Loss, and Living in the Afterloss

I learned a new word from an old friend:  "the afterloss."  It's what he calls the new stage of life we enter after a loss, an era of grief and change.  I'll say more about it later in this post.  I've been doing some grief work lately--it's that time of year for me between my wedding anniversary and the anniversary of Everly's death.  In the process I've been thinking about some of the language we use to describe our loss and grieving, and maybe stretching and extending it to help me understand my own situation at this time.

The imagery of a "broken heart" is powerful to describe some of the struggle of dealing with loss through death or broken relationships. The heaviness in one’s body, the dark cloud invading one’s thinking, and the erratic welling up of tears all give the sense of something broken. Difficulty thinking about what comes next and the inability to focus on plans or complex tasks are all features of grieving that imply brokenness in my experience.

Of course, figurative language of this sort has its limits. Literal breaking usually applies to solid, rigid items or to machines or processing mechanisms of some sort. While the image of breaking does fit well enough with what loss and grief are like, it also seems that mixing the metaphors is common and helpful.

Grief as a "wound" is another image. This language makes a more direct connection to the organic, fleshy nature of our humanity and its bodily experience of grief.  In this case, rather than breaking, the image of ripping flesh, or a deep cut into our bodies speaks vividly about the pain and trauma of loss and grief. A loved one’s death, or events or conversation which change or end a beloved relationship, can feel traumatic as if tearing open a wound in one’s body.  In the same imagery, we often think of the healing process as stitching a wound and forming scars on our hearts.

I want to riff on what may be another aspect of this image of a wound. Beyond the initial ripping or cutting, there is often also a slow, subsequent, repeated tearing that extends our woundedness.

Very common for people who suffer loss is the experience of turning to speak to the loved one who is not there anymore. Or it may be the thought that constantly pops up, “I need to talk to her about this,” followed by the remembrance that it will not be possible.

The constant little tearing may occur when the grieving person remembers plans already made. There may have been a trip planned, tickets for a concert, dinner plans, a party, a hike, or some other outing. But these will not happen.

Longer term plans also rip the wound a little more. For me, Everly’s untimely death meant she would not be present for our children’s future graduations, and even more painful, their potential marriages or birth of children. In all losses, people lose not only concrete plans, but also imagined futures.  These are dreams of a joyful future which have not always even been expressed.  Perhaps buried in one's hopes are dreams of times spent in travel, in couple time not available during the hectic middle years of life, or seasons with family or friends who have been out of reach in the midst of one’s work life.

My friend Benjamin Allen, whose website and Facebook sites both are about grief and healing in the afterloss, insists above all that we not try to think of grief as a finite process. To be in grief, especially but not only after a death, is to enter a life era that he calls “afterloss.” In this era, we learn and adapt to a new stage of relationship in which who or what we have lost is still present to us and in us, but in new ways. At least this is how I’ve interpreted what he is saying. I walked with him for a short time through the horrific tragedy of loss from illness that eventually took the lives of his wife and two children. I was very young still--in my mid twenties. It was difficult for me to comprehend the depth of his pain. I remember times that I said awkward things to him out of the pat answers I had overheard while growing up, dumb cliches that it took me many more years to unlearn.

This stage of living in grief while also healing brings many complications. It's the era in which those smaller, later ripping events revive and repeat grief.  My greatest loss, the death of Everly, means that all of my remaining years include her presence in making me who I am and in shaping my dreams. Her absence and losing her affect my work and my relationships, and in a way the pain of her loss is mixed with all the other losses, small or large, that follow.

The painful failure I went through in my mid-thirties as I saw a church breaking apart around me and myself impotent to make a difference also lives with me.  In that time, I lost the naïveté that told me I could be a leader whom people would enthusiastically follow because of my "brilliance," my skill in speech and writing, and my sincerity in presenting my vision.  Naïveté both overstated my talent and understated the struggle that we have in our communities when we try to see truth together in the midst of our divisions. That loss makes me less sanguine about leading change, less confident in my gifts, and rightly less messianic in my self-estimation.

The variety of losses one endures are intertwined. Thus each little tear of the heart intersects the ones that preceded it.  All my memories of leadership failure are linked with the ways that Everly held me up when I was stumbling and helped me see when I was blind.

Part of the afterloss, for instance in my era of widowhood, is recognizing what is lost and stays lost. I do not have the same yokefellow that Everly was to hold me up when I stumble. I don’t mean that there is no one. Many friends have been present to keep me from staying on the ground when I fall. My adult children have had to learn that their daddy needs them in ways they previously did not have to face. 

Besides help when I stumble, it is also clear how deep the loss of Everly's discerning eyes and insights is for me.  I am constantly reminded how I miss those gifts, and that I do not have a clear way to replace them.

In the almost six years since I have been without her, I have faced numerous difficult life decisions. I usually feel that I am walking blind. I do my best to call on people who know me and care for me and believe in me for guidance and help.  They do help.  And I habitually work through comparisons of options to try to weigh what is best.  But I have yet to press forward into such important decisions without finding myself surprised, even disappointed or shocked, perhaps misled by my self-focus or by my rosy-glasses vision.  I have convinced myself that I have a glimpse of what may come next, only to find out I am blind to what probably should have been obvious.  These new losses are among the continuing tears at the wounds of the heart.  At this point in my life, at my low points, it sometimes seems the best description is that I have become an old fool.

Now let me qualify that. I'm just sharing a feeling I have had, but not the general stance toward the world in which I live.  Most of the time I feel highly competent and able to offer a great deal to my family, my friends, and the world. So I’m not saying that I don’t ever believe in myself. I’m not asking for people to call me up to remind me how much of a blessing I have been to them. I fully believe that it is true that my life blesses others and is fulfilling for me; therefore, I press on toward the high calling, to take hold of that for which I was taken hold of. So no need to get worried about Mikey today.

However, in the afterloss, I would say it’s pretty much expected that low times will come. I reckon that's true even for people who have never endured a great loss, but in a different way.  And it seems to me that in the struggle to restore some equilibrium, to find some new path, and to fill in some of the holes in one’s life, the era of grieving can often seem to be repeating what already happened. New losses overlay the old ones. To revert to the wound metaphor, old scars reopen, and pain returns to the very place where it was most intense.

I’ve had almost six years of widowhood. Throughout my life, I’ve known many women and men whose widow years have meant they stayed alone until they died.  My dear grandma lived 29 years after the death of my granddaddy. She moved around to stay with family members, mainly her two daughters and her sister. That meant she lived in our home part of each year the entire time that I was growing up. I was a kid and never gave much thought to what her loneliness might have been like. Now I wonder more. I was her darling, and we often sat and talked while she rocked in her rocking chair.

She found a way to share her life with others that gave her a level of satisfaction that I never really questioned. Partly, it seems that her generational outlook of being a mother who cared for a household found some fulfillment in still using those gifts and that calling toward her children and grandchildren even after her beloved husband had died too young.  She cooked and cleaned and cared for us, and she also spent her time reading, traveling, and doing what she wanted to in her "retirement."  I don't recall her talking about wondering what comes next.  Now I wonder what she would have said had I asked those kinds of questions.

In my years of a widow's grief, I find myself regularly wondering and questioning what comes next. That’s what got me started writing again last week, as a beloved colleague and I were discussing her own search for direction in the next season in her life.  Every once in a while I think I may have uncovered a treasure what will fill some of the space that grief and loss have opened up. I think that maybe I have discovered a salve that will help scars continue to heal.  I think I may be looking down a path that could calm my restlessness and make me feel more at home.  So far, it’s mostly still more stumbling, a glimpse of beauty that remains just out of reach. The beauty is real. The treasure is priceless. The path was a possibility. Yet I had expectations that were too great for what could happen.

I’m probably describing what the current cultural memes call first world problems. I do remind myself that a steady job, caring friends and colleagues, healthy and happy children, opportunities to study and write—all of these are graces far and above what one person should expect.  Knowing and affirming that truth of grace abundant does not, however, take away the longing that is part of what living in grief and loss carries with it. 

Some might say that the longing itself is what I should set aside.  I'm not sure I can agree, nor that I think it is possible.  I do recognize the danger of lustful cravings, and I don't think that is what I am describing here.  I believe, and hope I am right, that what I'm calling longing is an embedded passion within humanity to be in relationship, to love one another, to find fulfillment in the beauty and richness of creation, and to rest in the divine presence.  It is the notion that we have been made with purpose and meaning that calls out to us and presses us forward. 

At the same time that I embrace the longing as part of what urges me on toward being what I am made to be, I also acknowledge and affirm the Apostle Paul's claim that he has learned to be content in whatever circumstances he finds himself.  I am moderately good at living that way, but maybe not as good as Grandma was.  Somewhere in between longing and contentment--that has to be where I strive to live.  I don't want to settle for less than the good that awaits me, nor to be grasping after what I do not need.

In her novel Lila, Marilynne Robinson narrates the inner thoughts of the title character as she tries to reconcile her fears with the possibility of two people caring for one another, with these words, "It felt very good to have him walking beside her--good like rest and quiet, like something you could live without, but you need it anyway; that you had to learn how to miss, and then you'd never stop missing it."  That's a good description of the slow and partial healing that accompanies the ongoing tearing of our hearts in the afterloss.  To close out this ramble of more words than I intended, I thank you for your time spent reflecting with me.  Let’s all of us keep walking forward together, thankful for every companion who is willing to join us on the journey, learning not to miss the goodness that their lives bring to us. 

Hermeneutics, Imagination, Grief, and Change

I was late to Sunday School yesterday.  I had gotten up plenty early, and I was about to finish getting dressed for church.  Then I looked at some photos from six years ago, when our five Broadways went on a family cruise together.  I read some words I wrote in 2014 about how I was not looking forward to the next two months of memories.  In those moments a shadow descended on me, my mind started racing, tears welled up, my body shook, and I was suddenly caught up in the grief of Everly's absence again.

Let me quickly finish this part of the story. I did some thinking, some reading, some crying, and then I debated what to do next.  One impulse when sad is to stay alone and deal with it without having to explain oneself to anyone else.  Another is to turn to people who care for you.  I decided on the latter, since I expected to see the loving eyes of some of my best friends in Sunday School when I arrived.  Just last Sunday, another member of the class was sharing with us about her intermittent and surprising intrusions of grief over the loss of her mother.  I knew that going to my people was better, so I went to be in the company of wounded healers, even if I was 15 minutes late.  It was the right choice, and I got the loving care we hope anyone would receive.

You won't be surprised to know that with me there is a longer story to tell.  So we've had the summary of events, and now the more detailed analysis.

On Saturday morning, I was dressing to go out to one of the big festivals Durham throws each year.  I put on a shirt, one of my usual guayaberas, and stepped away from the closet only to realize that the date was May 18.  For those who used to read my blog when I was writing more often, you may remember that I call every 18th of the month an "Everly Day," because she died on July 18, 2013.  It's one of my ways of honoring the blessing of her life with me for 30+ years.  Most months on the 18th I take some time for remembering.  And when I remember while getting dressed, I almost always wear a purple shirt for Everly Day.  So I changed shirts and got a purple guayabera before heading out.

Another thing I usually do on the 18th, is count the passage of time.  We are approaching six years since her death on that July 18th.  Being in a math family, I seldom settle for just one way of counting.  This month was five years and ten months, and it was also 70 months.  Now for those of you who, like me, have lived your lives immersed in the texts and symbols of the Bible, it is probably no surprise to you where my mind immediately jumped.  No matter how much sophisticated theoretical work I do on biblical hermeneutics, that still does not keep me from imagining relationships of numbers and symbols and language that is not directly part of what Dr. McClendon would call "the plain sense" of scripture.  Seventy months made me think of seventy years, the rounded-off figure in scripture to represent the length of the exile.  Seventy, a multiple of seven but ten times over, conveys a message of completion as well as of long duration.  Above all, the seventy year mark in this instance represents an end to a period of suffering, despair, and seemingly endless waiting.

I recognize that seventy years is not the same as seventy months.  I recognize that my 70 months is not somehow predicted or conjured in the biblical text.  But what did happen in the aftermath of noticing the similarity of number still seems to me to be worthy of the scriptural imagination.  From that recognition, I was propelled into a reflection on the passage of time in my life by analogy to the longer passage of time in the life of Israel.  What did the 70 years mean for God's people so many centuries ago?  Were there ways that their recorded experience might shed light on my situation, 70 months after the devastating loss of my beloved?

The numerical similarity had occurred to me on Saturday, but with the coming of a wave of grief on Sunday morning, I turned back to that thought and opened my Bible to the Prophet Isaiah, starting in the 40th chapter, and began to read about that prophet's theological reflections on the end of the exile, the end of the 70 years of waiting.  I read quickly through four or five chapters, not stopping very long at any text, and letting it wash over me.  Then I realized that if I were going to make it to Sunday School, I had better finish getting dressed and get in the car to head over to the church.

The verses were very familiar.  The prophet's words of comfort offer a message from the infinite and unchanging God that resonates in the Bible reader's ears.  The first of the Servant Songs describes the humility and compassion of the people that God is calling to serve in the world.  When I reached the 43rd chapter, I was brought to a text I read with Everly often during her suffering toward death.  It speaks of God's presence in the most dangerous and fearful situations.  It proclaims God's concern for humanity in creation, a precious relationship, in which God has known and given us our names even before we have known ourselves.  And of course, as I have written before, John Claypool's reflections on the the end of chapter 40 spoke with power into my life during days of most intense grief years ago.  God will hold us up through the most difficult times, so that we can walk and not faint, taking one more step in the strength of knowing that God will never leave us to suffer alone.

And what I had already begun to think on Saturday when I first connected the number seventy between my life and the scriptural allusion, also was there.

Sing to the Lord a new song!

I will turn the darkness before them into light,
  the rough places into level ground.
These are the things I will do,
  and I will not forsake them.

Do not remember the former things,
  or consider the things of old.
I am about to do a new thing;
  now it springs forth, do you not perceive it?
I will make a way in the wilderness
  and rivers in the desert.

From this time forward I will make you hear new things,
  hidden things that you have not known.
They are created now, not long ago;
  before today you have never heard of them,
  so that you could not say, "I already knew them."

Again, to be clear, I am not advocating a type of interpretation which personalizes the prophetic oracles as if they are not linked to the history of Israel and the coming of the Messiah, revealing the meaning of history and the nature of the One in whom history resides and finds its meaning and purpose.  These verses are not about me.  The exile is not a convenient turn of events meant to make me feel better or even to rethink my life.  On the other hand, the pattern of divine work and character that the prophet speaks of has ongoing relevance for persons and communities who seek to turn to God for guidance and insight on the meaning and purpose of their personal and collective lives, even in our day.

Thus, the coinciding of the number 70 in the biblical story and my personal story becomes a seed of potentiality as I reflect on this season of my life in the aftermath of my greatest grief.  Has a time of pilgrimage through wilderness reached a point of fullness? Are there signs in my work, my ministry, my family life, my friendships, my study, and all aspects of my existence that point to the possibility of something new?  Should there be some things that I set aside in these days?  Should there be readiness to take a decisive turn toward something new and unexpected, something not even created before now?  What is the new song that I should sing to the Lord?  What darkness will be lifted, and where will light begin to shine?  I can't say that I know answers, but these questions continue to fill in the gaps of restlessness, and sometimes discontent, that arise in the life I'm now living.

This month of May marks seven years since Everly emerged from near death caused by her first dose of chemotherapy.  She began to articulate to us the new vision she had of the life ahead of her.  Seventy months have passed since her death.  Soon that anniversary of six years will come.  None of these are magic numbers.  There are no rules for grief and its duration, no time limits that can be set and enforced.  We have no capacity to know what the future brings, nor to be sure what choices we must make in each moment.  Yet this imaginitive foray into the grand narrative of scripture as a way to recognize the continuing work of God will, I believe, bear fruit for my journey in this world.  May God go with me and with you in each step, that we may walk and not faint.

In Honor of Stella Goldston and Grady "E.P." Goldston

At Shaw University Divinity School, for the entire time I have been on faculty (almost 19 years), there has been one glue that has held all things together.  That is our administrative assistant/registrar/student counselor/information center/receptionist/faculty support staff Stella Goldston.  Before Shaw Divinity became only the third ATS accredited theological school in North Carolina, following only Duke Divinity and Southeastern Theological Seminary, Stella was already carrying a load of duties to support the faculty and students in their education.  Since that time, we have seen five deans come and go.  Stella has learned how to work with each one to accomplish his goals and keep the program steadily moving.

Last Wednesday, September 19, 2018, Stella's husband "E.P." died after they had shared 50 years of marriage.

Just over five years ago when Everly died and I became a widow, I'm sure that for some moment I felt I was the only person who has endured such a devastating loss.  Part of the awakening of my humanity that I underwent during that period of Everly's illness and dying involved becoming deeply aware of the struggles that my students and colleagues, my fellow church members and friends, and people all around me were also enduring.  Previously such things had seemed so distant, so irrelevant, to the life I was living.  It is a sad thing to realize about oneself, having already reached one's mid-fifties in age.  Let's be satisfied to say that I have grown somewhat beyond that now.

A result is that the stories of others' lives, whether fictional stories of lives in books and media or lives of the flesh and blood people around me, take me to a place of memory and empathy.  I've been struggling with my schedule this week, preparing to leave for Hong Kong tomorrow, and having so many details to tie up.  Unable to make the trip to Sanford for the funeral, I found myself suddenly overwhelmed by the thought of Stella Goldston's loss.

I had met "E.P." briefly on occasions when he had driven Stella to work from their remote home near Pittsboro, NC.  His health had been declining in recent years, and we had feared for his life at times before.  Yet he continued to be blessed with more days, and Stella showed great devotion to support him and care for him in the ups and downs of his physical condition.  She has had to take more days away from the office in recent months, and the entire ordeal of their lives as they passed the end of their seventh decade has been a struggle.  Yet Stella remains an encourager of the faculty and students.  She offers her assistance quickly and without reservation.  She lifts our spirits and keeps us together.  She is a committed servant leader in our community.

Therefore today, in honor of Stella and of her marriage, and in memory of her beloved husband "E.P.", I will repeat the words I overheard that swept me into the moment of empathy and memory.  Hearing them helped me realize my debt of gratitude for Stella's life and my care for the depth of loss she now faces.  Perhaps with a bit of self-centeredness, I also confess that these words reminded me of how much loss I feel that Everly is not able to share the joy of this trip to Hong Kong with me.  Thank God for the Psalms.

From Psalm 22:14-15

I am poured out like water,
  and all my bones are out of joint;
my heart is like wax;
  it is melted within my breast;
my mouth is dried up like a potsherd,
  and my tongue sticks to my jaws;
you lay me in the dust of death.

Staying still in the devastation of this moment is a way of recognizing and honoring the value of a person's life and of a loving, caring relationship.  And so we sit in the condition of being poured out, out of joint, melted, and dried up.  Grateful--yet overwhelmed by the loss.

May God, the Source of All Goodness, bless Stella and her family in this time of grief and loss.  May the Eternal Son receive "E.P." in loving embrace and joyful celebration of a life well lived and a wife well loved.  May the Holy Spirit of God surround, accompany, fill, uphold, and lead Stella Goldston in the coming season of her life.  And may we, the ones with whom "E.P." shared his beloved Stella, be to her a shield and staff through her time of grief.  Amen.

**************
For those who would like to show support for Stella Goldston in this time of grief and loss through concrete and monetary support, let me offer the following opportunity.
https://www.gofundme.com/stella-goldston-fund

On Jordan's Stormy Banks--Reposting

I have been looking at the CaringBridge site recently again because of an injury to a little girl whose parents I know and admire.  She was struck by a car and severely injured, but she continues to make progress.  As is usually the case on CaringBridge, we don't know how things will turn out or how quickly they will change.  The long journal of my colleague and friend Dwight Peterson reminds us that we do a poor job of predicting how a person's life will endure.  The chance to keep up with one another and share presence keeps people coming back and praying for one another.  I know my love and hope for Amelia is growing with each story and picture that appears.

     While in CaringBridge, I looked back at the website I set up for Everly when she was ill.  I continued to write there well into 2015, almost two years after she died.  I took a moment to read the last journal entry, written in reflection on both her death and her father's death.  With the attention I've been giving to thinking about the presence of death in our lives, it seemed to me that this entry spoke into the struggle of living and dying, displayed in many ways around us and in the lectionary texts of the last weeks of Lent.  Therefore, I'm reposting for any who might wish to continue on that road of reflection with me.

Jordan's Stormy Banks

Journal entry by Mikael Broadway — 3/16/2015

When I was still a pre-teen, I'm not sure when, but I think in Portland, Texas, around 1969 or so, I remember not the time but the experience of hearing the hymn "On Jordan's Stormy Banks I Stand and Cast a Wishful Eye."  I think it was the boisterous melody and rhythm that caught my attention, along with the lyrics which I could easily understand.  I also remember some kind of visual of a storm over a body of water, dark and menacing.  There were no music videos in those days, so I must have been looking at some sort of children's hymnal with illustrations.  Maybe I was at a children's choir rehearsal or "Intermediate Training Union" (you Baptists may remember that terminology).  I remember deciding to learn that song, and I still have an echo of that memory each time I hear or sing it today.

Recently, reading from Henri Nouwen's In Memoriam, I was reminded of that hymn again.  The short book begins by telling of the warm reunion with his mother when she was terminally ill, and the blessing and joy of being together.  He was reminded of the many ways in which her faith and faithfulness had anchored him and held their family together.  But after their initial time of gathering, he describes a dramatic change that happened in his mother.  She became less able to communicate.  She had moments of obvious struggle.  She seemed no longer at peace, but often disturbed, fearful.  She seemed to him to be in a fight against whatever evil, temptations, and doubts that she had suffered during her life.  He interpreted these days as a final battle as she prepared for the end of her life, a storm through which she was having to pass.

Part of what Nouwen was realizing was that his mother, who had often been for him a tower of strength, was a human being, a woman, who had her own struggles.  She was not just the one who helped the other family members with their struggles.  And he saw this working itself out in her last days of life.  His reflections, of course, put my mind into searching through Everly's days of dealing with cancer and its deadly outcome.

I thought through her last days.  From March to July 2013, there were many ups and downs with treatment and constant pain.  She was committed to do all that she could to keep living with us, and for the most part she pressed through whatever came, asking for help that she needed from us.  There were times when she became discouraged by the pain, but we kept seeking answers and trying to find a way to getting better.  Our family trip in May was for her a great triumph and celebration.  

There was only a short time remaining, but none of us knew that.  We kept looking at houses in Austin, hiring inspectors, thinking about how to fit all five of us in a house together, and even negotiating a contract.  At the same time, the cancer was doing its own work.  When our house-buying plan collided with the tumors' deadly growth, the time was nigh.  The doctors diagnosed the situation, and we learned there were no more medical solutions available.  We made the transition to hospice, and Everly lived less than one more week.

During that week, she did not have the same kind of struggle that Nouwen saw in his mother.  She was very vocal with her fear initially that she would be deserting us when we need her.  But her trusted friends shouldered their priestly role in granting her absolution, reassuring her that she had done all that she could do and all that God would expect of her.  They told her they would make sure her children never went hungry or had no place to lay their heads.  And she received this grace and began to rest.

If she had the kind of struggle about which Nouwen writes, it was during her first month after the diagnosis in 2012.  Already very sick, and considered potentially beyond help from medical intervention, she entered the hospital and received her first dose of chemotherapy.  Anyone who was following her story through this illness remembers that the first treatment almost killed her.  In that intial crisis, she fell deeper and deeper into a stupor.  Her body became weak.  She could not eat and had to be fed through a tube.  She slept constantly, and emerged to waking dreams and hallucinations.  

She sometimes awoke with fearful concern about some matter from work or from our family life, needing to give one of us instructions on what we needed to take care of, urgently.  Sometimes these troubled conversations dealt with some relationship or other matter about which she believed she had done wrong and things needed to be set right.  I know I was not the only bedside companion who served as her minister in that time of trouble.  Perhaps, during that time, it was the stormy Jordan she saw before her, and she felt her need to face the dangers head on and get herself ready for that crossing.

She came out of that initial sojourn in the wilderness with a new outlook on her life.  She took on the disciplines needed to regain her strength and to resist deterioration.  She talked of the peace she had made with her career and her previous years of hard work toward a powerful mission.  She considered what she wanted her remaining years to count for.  And through many ups and downs, she made them count as much as possible toward the goals of taking care of her family and reminding us of the beautiful life we had shared and would keep on sharing.

I don't mean that her 15 months, minus that first month-plus of hospitalization, were constant sunshine.  Everly certainly had fears and worries.  She was a worrier, but not to despair.  And she did not handle pain well.  Many of you have heard her say honestly, "I'm a wimp."  She did not like to get stuck for an intravenous tube.  She did not like any treatment that made her burn, or get chills, or get poked or prodded.  But that part of her life was not so different from before we had to face cancer.  Of course, every time we had to get a new CT Scan and reevaluate her progress, there was anxiety.  When the news was not as good as we hoped, there was disappointment and concern.  

I'm not trying to sugar coat things, but I think it is accurate to say that Everly did not face that kind of struggle against her potential dying as a constant overwhelming problem after the beginning.  She was not resigned to die, but she was not terrified by it either.  When she looked back at her experience of making it through those terrible days in 2012, she would tell us stories and share insights as one who had been through a great ordeal.  She spoke as one who knew something beyond what most anyone had known, having approached the brink of death, looked into it, turned back from it, and rededicated herself to a life worth living.  I think you will forgive me if at times I sound like I'm writing hagiography, but what I want to say is that she had faced something, had passed through the valley of the shadow of death, and she did not need to repeat those experiences and lessons again.  She already had learned that even there, God is with her.

So as I look at her last days in July 2013, I don't see intense dread.  She became upset sometimes as she dealt with losing control over her body, growing too weak, too tired, too foggy-brained to act independently.  But these were flashes and passing moments.  It was difficult to speak, but she would suddenly enter a conversation with perception, instructions, and even jokes.  It was hard to swallow well, and she would cough as one who felt she would choke, then rest again.  Mostly, she was at peace with her children and all of us who cared for her around her.

I think we saw more of this struggle, that Nouwen described, toward the end in the prolonged illness of Everly's father, Herbie.  His struggle was longer and painful in a different way.  He observed himself slipping into dementia and losing the strength from his athletic body.  He was exhausted but could not sleep peacefully.  The waking dreams were deep struggles for him.  I am not talking about his character or trying to say Everly did better.  I am merely describing a difference in the progression of mind and body.  Herbie's illness incited his brain in different ways than Everly's, stirring partial memories and robbing him of awareness of the loving people around him.  He feared being left alone and called out for Marie, his wife, at all hours.  He found himself running a race or fighting an enemy when he was simply in bed with family standing by.  He had fought so many battles, solved so many complex problems, trained his body and worked hard for so many years.  As that slipped away from him, he continued to fight and run.

What Nouwen learned, and what we learned from Everly and Herbie, is that our loved ones struggle.  Even when they have hidden it from us so well, they have had their struggles throughout their lives.  Some of those struggles come back to them as they take account of their lives and look ahead to what may remain.  Herbie was grateful for such a rich life, for the devotion and love of his marriage, for three talented and intelligent children, and for so many friends and young people with whom he had shared that life.  He hated to see that go, and the progress of his disease elicited his will to fight.  But some joys persisted through it all:  especially loving to be with Marie and eating ice cream.  Everly's illness took a different path.  But with both of them, we could honor their struggles and rejoice with their joys.

Herbie had been very clear about his approaching death while he was still able to communicate, before the strokes took his clear speech away.  He had had a good life, and he was ready to die.  It hurt him deeply that Everly's life would be cut short, while he might live on after having already had a full life.  Like any parent, he would rather have taken her place so that she could live on.  Long before he died, he had "cast a wishful eye to Canaan's fair and happy land."  And as we numbered Everly's last days, she also faced with a willing heart that she was "bound for the Promised Land."

I think that in writing about this, both Nouwen and I are striving to be honest, to tell the truth.  Dying often is not, as many of us hope and imagine, an easy slipping away.  It is not only having family together and saying good-bye.  It is also a struggle to let go of the only good that we have known and to face the ways that we did not live in every way as we had aspired.  I can't think of any more appropriate way of handling our grief over Everly than being honest about our living and being honest about our dying.  

We get so focused on our own experience of our loved one's death, and that is to be expected.  What Nouwen did, and what I have tried to do here, is also to collect and put together the clues we have of what our loved one went through.  We can't say we know it with certainty, especially those periods when they were not able to speak to us about it.  But we can take what they did say, and what their convictions have been, to see through a glass darkly, until that time that we see face to face in "one eternal day where God the Son forever reigns and scatters night away."

No chilling winds or poisonous breath
Can reach that healthful shore.
Sickness and sorrow, pain and death,
Are felt and feared no more.

Listening with Patience and Letting Music Do Its Work

I've not put much stock in the theory of art as purely the artist's expression of an inward state.  Art, no matter how personal, remains a public act with communal significance.  Not to belabor the point, but why use a canvas?  Why this paint or that clay?  Why this instrument and this tempo?  There are numerous potential reasons why an artist struggles to get work into public view.  Even the desire to have one's art recognized is something more than just wanting personal validation.  It is better understood as a form of communication, of connecting with others.

Thus, when I claim in the title that music has work to do, it is a work of communication.  Music's communication may operate at many levels.  These ramblings about art and music arise out of spending an evening listening to Branford Marsalis and Joey Calderazzo play saxophone and piano as a jazz duet.  Interviewed about their collaboration, Marsalis argues that the jazz duet is not merely a mini-quartet or a truncated ensemble.  It is itself a distinct kind of performance able to display its own communicative style of close collaboration, sensitivity, and balance.  Marsalis says, "The object is not to play in the same way that you play in other situations.  You have to change the conversation as well as the setting.  Once you know the form, you can just react to each other." 

Their further reflections on their engagement with the music as a duo help the reader, and listener, to understand there is a kind of work going on with musicians that is at least part of what I mean when I say that music is doing work.  It is the musicians, of course, who drive and make the music live.  This is why at a jazz concert, one learns it is appropriate to give applause when one musician in the ensemble completes a "solo" or highlighted portion of a longer musical composition.  People don't do that during a harpsichord concerto at the end of the harpsichord section, but in a jazz performance, when the pianist has carried the lead for some time and then recedes back into the balanced ensemble playing, clapping is appropriate and expected.  Jazz audiences, in a less formal relationship with the performers than in classical performances, immediately recognize and acknowledge the virtuosity and the effort it takes by communicating their appreciation.  At classical concerts, the audience struggles to demonstrate patience when moved by the musicians' art and waits until the end of a lengthy composition.

To take an aside, I did not grow up in a family which schooled me in the appreciation of jazz or classical music.  My introductions to these was slow, through the music education programs of public school and college.  Our music came more from folk traditions, church hymnals, and popular gospel and secular radio.  If my mom used the word "jazzy" to describe music, it was not a compliment.  Beyond that home training, in high school I sang and listened to music of various eras of Western culture, from Medieval, Renaissance, Baroque, Classical, Romantic, Neo-Classical, and Modern eras.  We learned the discipline of remaining silent until an entire piece was finished before offering applause.  In college, my exposure grew through public performances of chamber music, orchestras, string and woodwind quartets, and occasional jazz. But learning about jazz really came later from listening to the public radio station in Dallas during my two years working there. Even now, I have attended few live jazz performances, and when I do I appreciate the chance to go with a friend from whom I can learn, by observing, the skills of listening and appreciating what I see and hear.

The work of music is partly understood as the work of the musicians, but there is in music as in all art a surplus of work that is greater than the particular agents of its production and performance.  Scientific study confirms many anecdotal links between music and the brain, affecting emotion, reasoning, creativity, exercise, memory, and personality.  I won't try to report on all these scientific studies.  A quick internet search will uncover popular and scientific resources about the complex relationship between music and the brain and body.  Play around with the search terms and you may, like me, find yourself reading all kinds of research and commentary rather than this blog post.  Rather than be comprehensive or even particularly scientific, I will comment briefly on a few aspects of the work music does for human flourishing.

Perhaps most obvious to many people is the emotional and formational link one retains to the music one listens to during formative periods and significant moments.  Music marketers have developed business models around stratifying the various niches in which people become attached to musical styles and artists during adolescence and early adulthood.  Music of the 60s, of the 70s, of the 80s, etc., become the organizational structure for attracting a certain type of listener to whom advertisers can target messages to match the demographics.  This business use of music taps into something many of us have known personally--that tunes, rhythms, instruments, and songs of a certain era propel us into memories or emotional states relevant to deeply formative parts of our history. Certain beats and tunes stir the confusion and rebellion of teens frustrated by the struggle between independence and parental authority.  Songs and lyrical hooks may evoke early attempts to understand feelings of attraction, infatuation, and one's bodily awakening as a sexual being.  Longings, hopes, and decisions about life direction may have close ties to a personal "musical score." The work of music clearly includes an interplay with crucial emotional and formational eras and mileposts in one's personal narrative.

The mention of a musical score points to another aspect of music's work.  Music taps deep structures of the brain to arouse emotion: anxiety and fear, sadness, anger, attraction, happiness, excitement and more.  While not all people respond to the same music with the same emotion, there are widely accepted patterns of "happy" and "sad" music, shaped by harmonies, rhythm, tempo, volume, timbre, and other complex aspects of music.  I tend to be skeptical of overgeneralizations about happy and sad music, but scientific study tends to support links between emotional perceptions of music and emotional reactions to other sensory perceptions.  Listening to a "happy" or "sad" musical clip will likely influence a person's perception about facial expressions as more happy or sad. Some theorize an ancient link between music and the sound of active human living as influencing this reaction in the brain.  Even without needing the hard science, the use of sound tracks to shape the mood of a movie is a widely tested and effective sign of the work music does. Many people regularly choose music to play at home or in their headphones at work or out in public with an idea of influencing a mood toward happiness, energy, melancholic remembrance, or meditation.  Music works in our brains and bodies to reinforce or redirect our moods, even without our conscious planning.

Finally, there are many directions of research on the relation of music to strengthening reasoning ability, to helping focus mental activity, and to opening up creativity in thought.  I am particularly interested in the work of music to spark creativity and reflection.  "Brain science," a term of growing popularity, is apparently something different from psychology or physiology or philosophy.  I take it to be a specialization related to each of those fields, using newly available knowledge to offer insights that could be valuable to all of those older disciplines.  Brain science offers explanations rooted in the activity or reduction of activity in various parts of the brain under certain circumstances.  One such explanation says that just the right volume and type of music can create enough disturbance in brain activity that a person's most routine reasoning and memory patterns become interrupted, requiring the brain to work a little harder, to work around interrupted routines, and seek creative solutions to problems.  I don't really know how to evaluate how credible that explanation may be. Yet, it offers one kind of reasonable explanation, rooted in basic brain function and in growing knowledge about  the complex process of memory and reasoning. Regardless of how accurate the theory may be, the actual work of music to stir creativity has wide anecdotal support.

To wrap up my ruminations on letting music do its work, I will go back to my seat in Baldwin Auditorium, listening to the jazz duet.  Not really a novice any longer, but far from a connoisseur, I listened with eagerness to the various ways the two musicians intertwined their roles, sometimes stepping back or forward as accompanist and lead, and other times mingling two lines into one.  I was listening with a friend with much longer experience of attending live jazz performances, so at times my learning included watching her responses to the music to help me understand what might be going on in the room.  In a fancy auditorium at an academic institution, I gathered that the crowd was somewhat stiffer, with less bodily movement of the head, legs, and feet, than one might see in a different venue.  There were times when it seemed I ought to be standing and moving my body, but not on this night.  Different styles and melodies took my thinking in different directions--sometimes into issues of work and intellect, and other times into relationships, social life, and politics.

There is an interesting relationship between the listener's thoughts and feelings about a piece of music and her or his desire to know a "back story" of how a piece came to be written, or when it emerged during the life of the composer.  This is not essential, and in fact may function to limit the creative reverie that music may incite.  Yet, it also can be part of the complexity of how music works. In one case, Joey Calderazzo told a story about a piece before he played it.  He does not always tell it, but the performance fell on an important anniversary relevant to this particular composition in which he was engaging his thoughts and feelings about a dear friend who was struggling with cancer. He mentioned being on tour, performing in many different places, yet looking regularly at the postings about his friend on the CaringBridge website, where people dealing with terminal illness (usually cancer) and their loved ones can provide regular updates about the progress, or regress, of their health as they deal with various treatments, symptoms, improvements, and setbacks.

Some of you readers know that I spent about a year and a half writing on CaringBridge during Everly's illness and after her death.  So the mention of CaringBridge immediately set my thoughts and feelings on a trajectory.  As the duo began to play the piece, named "Hope," I was already on track for a tour of memories.  A few years ago, I may not have been able to listen to the music because of the intensity of grief.  I'm not completely sure how to describe this particular moment which is the primary reason I am writing about the music.  The music went to work.  I was listening and being drawn along by the melody and rhythm. 

At the same time my imagination took me to the M.D. Anderson Cancer Center in Houston.  I saw the waiting rooms in various clinics.  I recalled the hospital rooms where we waited for and through treatments.  I saw the pharmacy, the doctor's examination rooms, the hallways, the pre-op and recovery rooms. And there were so many waiting rooms.  I remembered Everly's moments of impatience during the tedious waiting for CT scans, having to drink barium shakes to get ready.  There were times when she was anxious and needed me in sight.  There were procedures that lasted hours and left me wandering the halls.  Sometimes I even taught my classes through video and audio conferencing in the lobby of the hospital.  Mostly, it was a chain of memories of the two of us doing our work to live a little longer and share time with our kids, our families, and one another.

I did shed some tears, but the interaction between the music and my thoughts and feelings was more complicated than a mere trigger for sadness.  I'm not sure sadness accurately describes the emotions that accompanied the work this music was doing.  It was an opening to creative possibilities.  It was not only a memory of loss, but also a memory of effort, of unified struggle, and of hope for what might still await us. I'm inclined to think that what was going on between me and the music is partly described as creative thinking. It was not merely a catalog of memories, nor a sinking into a blue mood.  It was also a process engendering the love, the hope, and the good that went on between us, and even among us in relation to the medical staff, as we lived that struggle toward what we did not yet know would come to pass. I'm not trying to make this sound like a mystical vision, because it wasn't.  Yet I found myself in that evening in a concert hall in a kind of creative simultaneity with the remembered time in Houston, when the future was not known and the possibilities awaited.  Thus, there was a mixture of grief and hope, tied together in the beauty of having lived alongside Everly during those events, as well as in her presence in memory now amidst all that my life can and may yet be.

I don't want to overdramatize or idealize a song at a concert.  I'm trying to describe through self-report and reflection what I think appears as a possibility in the way music works and can work in many occasions.  I did not take a flight of ecstasy.  It was not one of the highlight events of my life.  Still, it was a moment of power, a glimpse of glory, a flash of soaring that opens the eye to possibilities that may not seem obvious in most of the mundane hours of work and routine. I think that the right kind of listening, with patience, can let music do some amazing work.