- Smith and Jackson say, "Hip-hop is not, of course, the first popular movement to use the arts to speak to political, social, and spiritual issues, but it has done so representing the underclass of urban America as well as the African American middle class as it fights assimilation (p. 64)." This claim seems to be central to the argument of the book. Along with it, Smith speaks of the potential to "spiritually hijack" hip-hop culture as a way to proclaim the gospel. What do you make of this perspective on hip-hop culture and the church?
- What is the most important theological or practical insight you gained from reading this book?
Plenty of Nothing
1 day ago
