Black Theology: A New Word, a Critical Project, and a Consolidation of Tradition
As I continue to work on the issue of whiteness in relation to theology, I am putting a few pieces of analysis on this site for response. Part 1.
In one sense, Black theology broke onto the scene as something new, an innovation in the late 1960s. Black theology offered a new word in the academy. Certainly, there were echoes and resonances of this new theology in other settings and with other names, such as the Latin American liberation theologies identified with Gustavo Gutierrez, the self-identified liberation theology of John Howard Yoder’s Politics of Jesus, and somewhat later, womanist theologies which sought to advance the insights of black theology and feminist theology with a more thoroughgoing liberationist method.
In a second sense, Black theology represented a critical project in theology. Having recognized the intransigence of so-called Christian institutions in confronting hierarchies of privilege and disadvantage grounded in race, Black theologians like James Cone began to put forth a Barthian “No” to the status quo of theological production.
Third, and perhaps most important, Black theologies consolidated in academic terms the preached, lived theological perspective of a community of people whose faith offered a vision of the world that bore witness to the divine denial of human systems of domination and divine faithfulness and love toward the oppressed and marginalized. These three impulses help to identify the black theology movement according to its purpose and emergence.
To be continued . . .
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